Author Index
A
| Allen, Luther | deer hunter | 9(2), 19 |
| Amilie, Kari Nielsen | Christmas in Patagonia | 10(1), 57 |
| 10-Minute Lunch Break Poem | 10(1), 57 | |
| Amore, Martha | Winterkill | 10(1), 19 |
| Anderson, Jean | Shadow Play: Writing Introspective Fiction in an Action-Oriented Land | 10(4), 38 |
| Appel, Alexandra Ellen | Vision Cycle | 9(2), 19 |
| Appignani, Julien | Slattery’s, Capel Street, 1999 | 10(1), 23 |
| Averill, Diane | After World War II | 10(1), 58 |
B
| Baalke, John | Tricked Out of Meaning | 9(1), 74 |
| Interior Scene | 9(2), 20 | |
| Bacon, Thomas | A Massage in Tofino | 9(2), 20 |
| Baker, Joshua H. | The Secret Language of Leaves | 9(1), 74 |
| Balk, Christianne | Moon Foal | 9(2), 21 |
| Holding Teo | 10(2), 53 | |
| Ball, Ray | Subjunctive | 9(1), 75 |
| Flying Fox | 9(2), 23 | |
| Small Stones (Centro) | 10(2), 53 | |
| Baldwin, Lyn | Finding Home | 4(2), 39 |
| Balk, Christianne | Daffodils | 8(1), 11 |
| Gold Creek Valley | 5(2), 63 | |
| Fly Fishing | 6(2), 57 | |
| Like Water | 3(2), 28 | |
| Mist | 3(2), 28 | |
| Tangle | 5(2), 63 | |
| Walking the line in Judith Skillman’s House of Burnt Offerings | 7(1), 122 | |
| Yoke | 8(1), 11 | |
| Ballard, Tara | At Summer’s End | 4(1), 27 |
| Ballas, Teeka Anice | Canopic Jars | 6(2), 57 |
| Stalking Anna | 8(1), 12 | |
| Balwit, Devon | They Fuck You Up, Your Mum and Dad | 8(2), 66 |
| Banks, Scott | Barrow | 1(2), 28 |
| I wore cowboy boots to work today | 1(1), 66 | |
| Kvichak | 6(2), 59 | |
| Phone call | 8(2), 67 | |
| Suppose | 7(2), 58 | |
| The Story of My Life | 1(2), 28 | |
| The truth about a wave | 3(1), 42 | |
| What I think about when writing captions | 3(1), 42 | |
| Barnes, Trevor | Sibiu | 2(2), 8 |
| Târgu Lâpus | 2(2), 8 | |
| Barnes, Trish | Whistler | 1(2), 29 |
| Winter | 2(1), 8 | |
| Barnett, Carol | Angiogram | 8(2), 69 |
| The Tempering | 8(2), 68 | |
| Barnett, Gabrielle | Come and Gone Between Us | 7(1), 41 |
| Early Risers | 5(2), 63 | |
| East Village Autumn | 4(1), 27 | |
| Instead | 8(1), 12 | |
| January Moon (Cook Inlet) | 6(1), 10 | |
| Mountain Men | 4(2), 8 | |
| Santa Cruz | 2(2), 11 | |
| transposition | 6(2), 58 | |
| Barrett, Dave | I, Adam Porter | 8(2), 17 |
| Barrington, Judith | No One To Tend The Grave | 4(1), 28 |
| Not The Night Nurse | 8(1), 13 | |
| The Hypnotist At The Tillamook County Fair | 8(1), 14 | |
| The Seventies Reminisce | 4(1), 28 | |
| Barton, John | The Seven Deadly Sins | 3(2), 29 |
| Bates, Clifton | Jacob Made Cold | 2(1), 10 |
| To The Here and Now | 2(2), 69 | |
| Witnesses | 5(1), 90 | |
| Bauberger, Nicole | Untitled | 8(1), 15 |
| Beck, Miriam | Bering Island | 6(2), 59 |
| Blue-Eyed Dancer | 5(2), 64 | |
| Brotherhood | 5(1), 49 | |
| To the Hunter | 2(1), 10 | |
| Watershed | 8(1), 15 | |
| Begich, Tom | Road | 7(1), 42 |
| Bell, Cindy | A Young Guitarist Downtown on Solstice Weekend | 2(1), 11 |
| Those Images Inaccessible To My Pen | 2(1), 11 | |
| Benna, Tiffany | Artless | 5(2), 64 |
| Ice Fishing | 5(2), 64 | |
| Life in the rainforest | 5(2), 65 | |
| Bennett, James | Acidic | 7(2), 114 |
| Berger, Kristin | Border-Crossing: Nicaragua | 4(2), 8 |
| Kindling | 6(2), 60 | |
| The Pain and Bliss of Hibernation | 6(2), 60 | |
| Bernard, Deborah M. | Debbie Does Deadhorse | 4(2), 43 |
| The High and the Mighty Visit 1980’s Deadhorse, Alaska | 6(1), 77 | |
| Bertolino, James | Eagle Watching | 4(2), 9 |
| Ravine | 8(1), 16 | |
| Berton, Michael | Columbia River Haiku | 2(2), 13 |
| Biggar, Sally | Earth Medicine | 8(2), 69 |
| Blankensop, Doug | A Visit from Annie Vent, Elder | 4(1), 29 |
| Louche | 4(1), 29 | |
| She Don’t Know Nothin’ | 3(1), 43 | |
| Bloom, Irene | Slugs | 7(2), 59 |
| Bogart, Pete | Haiku | 2(1), 11 |
| Boochever, Annie | The Evening Ritual | 7(1), 71 |
| Borell, Marilyn | Boot Camp 1941 | 7(1), 43 |
| Fall Ritual | 8(1), 16 | |
| Foster Daughter | 2(1), 13 | |
| Grandpa Weir | 5(2), 65 | |
| Home Front | 1(1), 31 | |
| Look Again | 1(2), 29 | |
| Mickey Mantle’s Shower | 6(2), 61 | |
| The Larder | 7(1), 43 | |
| State of Comfort | 6(1), 11 | |
| What Remains | 6(1), 11 | |
| Bossche, Karen Vande | Namaste, Bitches | 7(2), 60 |
| Only Now | 8(2), 70 | |
| Visiting Ketchum | 8(1), 17 | |
| Wild Love | 7(2), 60 | |
| Bourgeois, Wendy | Tools of the Future/Prehistoric Bodies | 1(2), 30 |
| Bourne, Douglass | The Weight of the Roof | 2(2), 13 |
| Boyer, Marion | Gustavus, Alaska, Pop. 101 | 1(1), 34 |
| Bradley, Nicholas | Port Angeles | 6(2), 61 |
| Brady, Vincent William | Untitled | 2(2), 9 |
| Brandlen, BreAnn | Desire Want Need Revenge | 2(2), 12 |
| The Smallest Happiness | 2(2), 12 | |
| Brinck, Gretchen | A Boy Who Would Go Deaf | 3(1), 30 |
| Editing Leota | 7(1), 72 | |
| Jimmy John’s Baby | 5(1), 31 | |
| Sunspots and St. Mary’s Mission | 5(2), 27 | |
| The Fox Boy | 3(2), 22 | |
| Thin Ice | 6(2), 29 | |
| Wild Dogs | 4(1), 75 | |
| Brinck, Harold | We Never Saw Him Again | 5(2), 30 |
| Brix, Terry | Mickey’s Hot Springs | 4(1), 30 |
| Brooks, Emma | Waiting to Fly | 1(2), 31 |
| Brothers, Rebecca | Grabbing at Clouds | 2(2), 12 |
| The Faithfulness of Tea | 2(2), 11 | |
| The Hips of Angels | 4(1), 30 | |
| Brouwer, Matthew | Shady Lane Trail, Olympic National Park | 4(1), 31 |
| Brown, Chandra | Unfinished Migrations | 6(2), 12 |
| Brown, Stephen | Dogs and Magpies | 8(2), 70 |
| Brendan-Brown, Sean | Admit Defeat, Eat Fast Food & Telecommute | 1(2), 31 |
| Agrarians | 1(2), 32 | |
| Bruno, Chris | Pursing | 5(1), 22 |
| Bruns, Randol | Catching My King | 1(1), 30 |
| Evaporated Jesus | 2(1), 12 | |
| Fresh Water | 1(1), 30 | |
| Buckley, Marie | What Addisu Said | 1(2), 33 |
| Buckingham, Polly | Chapter Nine: Haunting | 3(2), 66 |
| Exile | 4(2), 9 | |
| Bullis, Jennifer | At Mt. Baker, October | 5(1), 49 |
| Burke, Mark | The Eclipse | 8(2), 71 |
| Burleson, Derick | An Ending | 1(2), 34 |
| Going Back to Be | 1(2), 34 | |
| Burns, Geoff | The One That Got Away | 2(2), 58 |
| Bursch, Catie | Field Dressing | 8(1), 17 |
| Burwell, Mike | A Place to Stand, A Conversation with Poet Tom Sexton | 3(1), 81 |
| Golfing the Bering Sea | 6(2), 62 | |
| Prayer 59 | 7(2), 142 | |
| Review of Changing Paths: Travels and Meditations in Alaska’s Arctic Wilderness, by Bill Sherwonit | 2(1), 110 | |
| The Magic of the Mariachi, by Steven and Reefka Schneider | 8(2), 130 | |
| Buttenwieser, Janet | Ke Garne | 3(2), 18 |
C
| Cairns, Sandra | The Screen Porch | 8(1), 18 |
| Campbell, Jack | Doorman | 7(2), 60 |
| Fish Camp | 5(1), 50 | |
| Nenana Sunset Symphony | 6(1), 12 | |
| Cantwell, Tom | Waves | 6(1), 53 |
| Caparas, Fawn R. | Swept | 4(1), 32 |
| Capra, Doug | Tomb Reader | 8(2), 71 |
| Caprioli, Matt | Ringlets | 7(1), 76 |
| Carr, Fern G.Z. | Return to Sender | 2(2), 15 |
| Carty, Bill | The Watchtower | 2(2), 15 |
| Caston, Anne | A Review of John Morgan’s River of Light: A Conversation with Kabir, with drawings by Kessler Woodward | 5(2), 111 |
| The Cloak of Invisibility | 7(1), 44 | |
| The Fix | 7(1), 45 | |
| What The Daisies Say | 7(1), 44 | |
| Cavalli, Vic | Steelheaders Anonymous | 7(2), 118 |
| The Tow Truck | 1(2), 18 | |
| The Wedding Night | 1(1), 59 | |
| To a Daughter Conceived While Doing Time | 2(1), 13 | |
| Chase-Foster, Susan | God’s Own Fruit | 7(2), 61 |
| Chandonnet, Ann | A Bedroom in Arles | 4(1), 32 |
| Cheezem, David | Poem Composed in the Sleep of my Mind Whle Binge-watching “The Killing” on Netflix | 8(1), 19 |
| This Light | 7(1), 46 | |
| Chiappone, Richard | Sans Serif | 8(1), 58 |
| Childs, Greg | Seeing When We Get There: A Review of David Stevenson’s Letters from Chamonix | 5(2), 109 |
| Childs, Lucian | Building A Community Anthology [with Martha Amore] | 8(1), 140 |
| The Errand | 3(2), 70 | |
| Ching, Donald Carreira | Skeletons of Summer | 1(2), 19 |
| Christianson, Kersten | 9 Kinds of Cottongrass | 6(1), 13 |
| A Review ofThe Hide of My Tongue: Ax L’óot’ Doogú by Vivian Faith Prescott | 5(1), 95 | |
| The Superstition Remains | 8(2), 72 | |
| Aunt | 7(1), 46 | |
| Goose & Grove | 8(1), 19 | |
| Hometown | 7(2), 61 | |
| North Again | 4(2), 66 | |
| Poet Passes: Leaves Words Behind | 6(1), 12 | |
| Stranding | 6(2), 63 | |
| The Fortymile | 4(1), 33 | |
| The Saltbox on Gibson Place | 7(2), 62 | |
| Visiting the Cabin of Winter News above the Tanana River | 7(1), 47 | |
| Clark, Ansley | Hibernation | 5(1), 50 |
| Clear, T. | Dusk | 5(1), 51 |
| Coen, Ross | Nordale Hotel | 4(1), 78 |
| Coffin, Lyn | Night-Wandering Vices | 6(2), 63 |
| Why I Moved to Seattle | 5(2), 66 | |
| Cohan, Wendy | Lately | 7(1), 47 |
| Cole, Marjorie Kowalski | Pieta | 2(1), 100 |
| Water | 1(1), 28 | |
| Wildlife on Old Wood Road | 1(1), 29 | |
| Comes-Holloway, Robyn Lynn | Don’t piss in the vat | 2(2), 23 |
| My grandma, the pimp | 2(1), 19 | |
| My mother sketches a nude for Marlene & Jack | 2(1), 19 | |
| When I think of third grade, I turn on my headlights | 2(2), 24 | |
| Conroy, Linda | A Quiet Life | 8(1), 20 |
| Solace of Small Things | 8(2), 72 | |
| Cooper, Jonathan | two hills | 7(1), 48 |
| Coray, Anne | Painting, Intermediate | 1(2), 35 |
| Transitory | 6(2), 102 | |
| Unpublished | 1(2), 35 | |
| Costa, Lorelei | A Gull at Requiem | 3(1), 44 |
| Craig, Michael Earl | Bear Photo | 1(1), 35 |
| Bluebirds | 1(1), 36 | |
| Cranston, Kristina | Burning Houses | 5(1), 46 |
| Cutler, Debbie | A Tribute to Louise Freeman | 8(1), 138 |
| Death Becomes Him | 2(2), 14 | |
| Grandpa | 7(2), 63 | |
| Melody | 2(1), 14 | |
| Sunday Morning | 1(2), 36 |
D
| Daley, Michael | Among School Children | 7(1), 48 |
| Ars Poetica | 8(2), 73 | |
| Full | 6(2), 64 | |
| Of Myself I Sing | 8(1), 20 | |
| To Climate Deniers in the United States Congress: May You See the Light From Behind Prison Bars | 8(1), 21 | |
| Dasbach, Julia Kolchinsky | Late 1940’s Photograph | 4(1), 33 |
| Davidson, Scott | Air Pressure | 6(1), 13 |
| Recovery | 7(1), 49 | |
| The Lorca Dream | 6(1), 13 | |
| The Space Between Houses | 8(2), 74 | |
| de Boer, Geordie | Still Life with Chainsaw | 2(1), 15 |
| Dee, Carol R. | Speaking with the Steller’s Jay | 6(1), 14 |
| DeFilippo, Lynn | An Interview with Eva Saulitis | 5(1), 99 |
| Crabbing | 5(2), 37 | |
| Detrow, Cynthia | Knowing Mud | 5(2), 41 |
| Devine, Monica | Molly | 5(2), 67 |
| Water Mask | 3(2), 16 | |
| Dieffenbacher, Steve | Arrowhead | 7(2), 64 |
| Main Street Bar, Union, Oregon | 8(1), 21 | |
| Whitebark Pines | 8(2), 74 | |
| Diemer, Gretchen | After Jack’s Funeral | 6(2), 65 |
| El Agua | 1(1), 36 | |
| Farm Visitor, Romania | 2(2), 16 | |
| Monarch Migration | 2(2), 16 | |
| Plitvice Lakes, Croatia | 6(2), 66 | |
| The Courage of Sophie Scholl | 2(2), 17 | |
| Dighiera, Nicholas | Naked Pictures of People You Know | 4(2), 58 |
| Dinkel, Michael Raudzis | Emailing Crazy Horse | 5(1), 51 |
| Dixon, Ann | Winter Ptarmigan | 1(1), 41 |
| Dixon, Patrick | Best Effort | 7(1), 49 |
| Black and White | 6(1), 15 | |
| Boat Wakes | 5(2), 67 | |
| Dead-Heading | 7(2), 64 | |
| Early Summer Sex | 5(2), 68 | |
| Ella Fukushima | 4(1), 34 | |
| Overboard | 3(1), 44 | |
| Sextant | 6(2), 67 | |
| Spiderweb | 4(2), 10 | |
| Dodge, Trevor | Exactly Three Imperatives About Gordon | 6(1), 58 |
| Doerper, Victoria | My Husband’s Map | 8(1), 22 |
| The Old Women | 7(1), 50 | |
| Windows Walking: A Tritina | 8(2), 75 | |
| Donatelli, Maureen | Window | 3(2), 30 |
| Douthat, Carol | John Haines’ Shoes | 6(2), 67 |
| Draper, Melina | Tongue to Tongue | 3(2), 30 |
| Duckler, Merridawn | Ginsberg at The Grey | 6(2), 68 |
| Going through the old clothes: | 6(1), 16 | |
| I Blame the Musicals | 6(1), 15 | |
| Duggal, Anishka | The Optics of Water | 7(2), 65 |
| DuPree, Ben | I Found You | 7(1), 13 |
| Duong, Quoc | Sure, You Should Try That | 4(1), 34 |
| Durham, Heather | Destiny Manifested | 7(1), 82 |
E
| Eberhart, Katie | Cabin Fever | 2(1), 76 |
| Facets | 3(1), 45 | |
| How Change Comes | 5(2), 68 | |
| Negotiating Spring Creek | 4(1), 72 | |
| Rehabilitation | 2(2), 18 | |
| The Fragrance Of Memory | 2(2), 78 | |
| Ebright, Lauren | hemlock | 8(2), 75 |
| Eckrich, Sherry | Catch and Release | 1(2), 35 |
| For a Dog in Mourning | 5(1), 52 | |
| Garden Party | 1(1), 37 | |
| October Departures | 6(1), 16 | |
| Our Ground Time Here Will Be Brieft: Remembering Maxine Kumin, June 6, 1925-February 6, 2014 | 5(2), 107 | |
| Persimmons | 2(2), 21 | |
| Edelman, Carolyn | Crapshoot | 3(1), 45 |
| Walking Alee of Wild Roses | 1(1), 33 | |
| Einbinder, Nathan | Giang | 4(2), 63 |
| Eisert, Jason | Big Lake | 2(1), 15 |
| Building a Campfire with my Father | 2(2), 18 | |
| Darwin’s Bar | 4(2), 10 | |
| River | 2(2), 18 | |
| Ellis, Kathy | Bad With Money | 7(2), 119 |
| Engelhard, Michael | Berry-Pickers and Earthmovers | 3(1), 39 |
| Mating Dance Under the Midnight Sun | 6(2), 18 | |
| Engelhardt, James | Boreal Halloween | 4(2), 11 |
| Czarnina (Duck Blood Soup) | 3(1), 46 | |
| Erd, Wendy | A Form of Prayer | 8(1), 22 |
| At Night Above Our Sleep | 6(1), 17 | |
| Erickson, Susan J. | Winter Solstice in the Skagit Flats | 4(1), 34 |
| Ervine, Gene | Alaska Is A Library | 7(1), 51 |
| Boreal Spoons | 6(2), 69 | |
| Carving the Yellow Cedar Spoon | 7(2), 66 | |
| Mother’s Kindling | 8(2), 76 | |
| Skydiving Lopez Island | 8(1), 23 | |
| Eulensen, Katherine | Carmino de Santiago | 2(2), 20 |
| The Haircut | 2(2), 19 | |
| Evans, Mathew Ryan | Fish Lake at Top of the World | 8(2), 76 |
| Everett, Christy | Why Not Mine | 8(2), 41 |
F
| Fagen, Robert | Cameo | 6(1), 18 |
| Fair, Jeff | Betrayal | 8(1), 93 |
| Seeking Spirit | 1(1), 7 | |
| Falcon, Asha | Pollen Storm | 8(2), 43 |
| Farmer, Daryl | Solstice | 6(2), 70 |
| Farmen, Kris | Perfect Day | 1(2), 75 |
| Turn Again | 4(2), 70 | |
| Farrin, Cassandra | Dirge for Pronghorns Poisoned in the Harsh Winter | 8(2), 77 |
| Feldman, Kerry | Take My Yacht, Please | 8(2), 18 |
| Fewster, David | A Red Sky Poetry Memoir | 7(2), 23 |
| Chimes at Midnight in Open “C” Tuning | 7(2), 67 | |
| The Poetry Slam | 7(1), 17 | |
| Fields, Tamie Marie | Silvers | 4(1), 87 |
| Fifield, Terry | Waves of Time: A Walk by the River | 6(2), 22 |
| Fisher, Lionel | Growing Up Brown | 2(2), 80 |
| Fisher, Paul | Affogato | 8(1), 23 |
| Black Moon, White Mountain | 5(1), 52 | |
| Clallam River Site | 5(2), 69 | |
| Drome | 8(2), 77 | |
| Fogle, Leonie Mikele | The Tansu Chest | 7(1), 50 |
| Ford, William | A Wilderness Love | 6(1), 18 |
| Ferrying Across | 6(1), 19 | |
| North of Vancouver, B.C. | 7(2), 68 | |
| On Foreign Ground, 1969 | 7(1), 52 | |
| Overcast | 5(2), 69 | |
| The Tide Mark at Forbes Landing | 5(2), 70 | |
| Fowler, Susi Gregg | Like an Amaryllis | 3(2), 30 |
| Listening to Nora, I Got This Poem | 5(2), 70 | |
| The Laughter of Courting | 7(2), 68 | |
| Franklin, Maxine | Skagit River Spirits | 2(2), 21 |
| Fraser, David | 100 Percent Milkshake | 4(2), 11 |
| Freeman, Louise | Empty Cabins | 7(2), 17 |
| Freeman, Molly Lou | Doucement | 6(1), 19 |
| Lord, You Are | 3(1), 47 | |
| Remind Me of What I Love | 4(1), 35 | |
| Fried, Leslie | A boy with lizard eyes | 5(2), 71 |
| Aching in the Lowlands | 5(2), 71 | |
| Afterwards, | 8(1), 24 | |
| Border Town | 5(1), 53 | |
| Dancing from Warsaw to Vilna in Black and White | 6(2), 70 | |
| Existential Texas | 4(2), 12 | |
| In Ostende | 6(1), 19 | |
| Lilikoi | 5(1), 53 | |
| The Boys Outside | 7(2), 69 | |
| Friis-Baastad, Erling | The Hunter | 1(1), 41 |
| Untitled | 4(1), 35 | |
| Furshong, Gabriel | Stateline, Great Burn | 7(2), 70 |
| Train Stopping at Midnight | 7(2), 70 |
G
| Gallagher, Tess | Karver Bookstore: Montenegro | 4(2), 13 |
| Ganesan, Maya | Catharsis | 4(2), 13 |
| Garland, Andrea | Passing Cape Caution | 3(2), 74 |
| Garland, Lance | La Luna Tease | 5(2), 72 |
| Sourdough Lookout: Early September | 8(1), 24 | |
| Gerling, Kenny | Anchorage Reflection #1 | 6(2), 73 |
| Merton | 7(1), 52 | |
| Now I Am Editing: An Interview with Sculptor Kate Carr | 7(2), 143 | |
| Valor, Mystic, Instinct | 8(1), 25 | |
| Going, Jo | Again Witer | 1(1), 38 |
| Mountain Lion | 1(1), 38 | |
| Mozia | 5(2), 73 | |
| Saying Goodbye | 5(1), 54 | |
| Sunflowers in Italia | 7(1), 53 | |
| That Sunday in Piedmonte | 6(1), 20 | |
| Vermillion | 8(1), 25 | |
| Wolves | 3(1), 48 | |
| You and I and the World, an interview with John Haines | 1(2), 79 | |
| Golden, J. Ramsey | Approaching Lindisfarne | 2(1), 16 |
| In Spite of Keats | 6(1), 22 | |
| Lastlight | 1(2), 36 | |
| Tomorrow | 6(1), 22 | |
| Golden, Sierra | Fisherman in the P Bar | 2(2), 22 |
| Self-Portrait with Goats | 7(1), 53 | |
| Pelican, AK | 2(2), 22 | |
| Gontard, Lily | At The Party | 4(1), 36 |
| Goodman, Mark | Chicago 13 | 6(1), 23 |
| Goodrich, Rebecca | A Review of Sandra Kleven’s Defiance Street: Poems and Other Writing | 7(1), 125 |
| Aphasia, Or, Plan B | 8(2), 23 | |
| Cabrillo Beach Sunset | 8(1), 26 | |
| John Phillip Santos: Cosmic Green Card | 4(1), 36 | |
| People of the Blue Tarp: A Review of Cinthia Ritchie’s novel, Dolls Behaving Badly | 6(1), 118 | |
| Gookin, Karen | In Winter | 13(1), 114 |
| Gordaneer, Alisa | Equinox: Fall | 3(2), 31 |
| Equinox: Spring | 3(2), 31 | |
| Solstice: Summer | 3(2), 31 | |
| Solstice: Winter | 3(2), 31 | |
| Gordon, Ela Harrison | A Book’s Two Halves | 3(2), 32 |
| Review of Steam Laundry by Nicole Stellon O’Donnell | 4(1), X | |
| Green, Claudia F. | Dirty Laundry in Juneau | 6(1), 23 |
| Returning to the (Inner) Mesa | 5(1), 54 | |
| The Best Bed I Have Ever Known | 8(1), 26 | |
| Green, Melissa S. | Anchorage Oil Town villanelle | 1(2), 37 |
| Copper River | 5(1), 55 | |
| Grover, Quinn | Kissing, Telling, and Invisible Trout: A Dilemma | 8(1), 99 |
| Gruis, Phil | Postponing penance | 2(1), 16 |
| They think you’re miserable | 2(1), 17 | |
| Gulyas, Lee | Lessons in the Art of Overnighting Outdoors | 1(2), 37 |
H
| Habecker, Kelsea | Excerpted from I Watch the Snow Cry (a memoir-in-progress) | 2(2), 84 |
| Hanlen, Jim | 7.1 | 7(2), 72 |
| A Chinese Tall Panel Landscape | 5(2), 73 | |
| Alaska Cardboard Beggar | 2(2), 24 | |
| Auditioning King Heads For Alaska Water Color Class | 7(1), 54 | |
| Bear Totem | 5(1), 55 | |
| Chena River Strategy | 4(2), 16 | |
| Iraqi Bird Census | 2(1), 18 | |
| Looking Under Yeats’ Bed | 3(1), 48 | |
| Map of Hugo | 5(1), 56 | |
| Outside EZ Loader 1966 | 6(2), 73 | |
| Unnamed Creek Behind Cavazos’ House | 6(1), 24 | |
| Willimas’ Chickens | 6(1), 24 | |
| You Standing There | 5(1), 55 | |
| Haeder, Paul | A Poet, the Pacific Flyway, and a Sonora Flash Flood | 5(2), 42 |
| Dystopia Blues – Who Will Write a Song about Ice Caps Melting When All Music Dies? | 7(2), 71 | |
| Interview with Michael Strelow, October 2015, on the Willamette, querying him about the intricacies of wirting his book Henry: A Novel of Beer and Love in the West on a real historical character, Henry Weinhard, and the role he played as literary puppeteer and historian | 7(1), 127 | |
| The Matter of the Deserted Airliner, by Steve Levi | 8(2), 125 | |
| Water Like Beer – Old World Dreams Transformed Out West in the Shape of a Brewer’s Right of Passage. A Review of Michael Strelow’s Henry: A Novel of Beer and Love in the West | 7(1), 119 | |
| Wrestling the Blind, Chasing Apache Horses, and Unpacking the Vietnam War | 5(1), 12 | |
| Haines, Jan Harper | Triumph and Tragedy | 5(1), 8 |
| Hallett | Sevenling | 6(2), 73 |
| Hanner, Toni | All Across Idaho | 8(2), 78 |
| Hardy, Cynthia | The Stink Bug on Joe Enzweiler’s Shirt | 5(2), 74 |
| Hargrove, Shauna | dear | 3(1), 49 |
| Harmes, Shane | Iron John on the Wagon | 5(1), 56 |
| Iron John Unemployed | 3(2), 34 | |
| Songs South of the Border | 3(2), 33 | |
| Harrell, M. | X Campers | 5(1), 57 |
| Harrison, Ela | A Review of Fleda Browns’ No Need of Sympathy | 5(1), 97 |
| An Interview with Erin Coughlin-Hollowell-Discussing her new book, Pause, Traveler | 4(2), 85 | |
| Say “Yes” To Where You Are | 4(2), 14 | |
| Haskins, Jacqueline | Wind Bones | 3(2), 34 |
| Hayes, Ernestine | Old Tom Brings Water into the World | 1(1), 44 |
| Old Tom’s Hands | 1(1), 45 | |
| Hecker, David | A Lucky Crab | 7(2), 72 |
| Way of Life or Love? | 7(2), 73 | |
| Hedlund, Alison | Raven | 8(1), 27 |
| Henriques, Robert | What Goes Around | 8(1), 27 |
| Hermann, Justin | Panther | 2(1), 85 |
| Heyne, Eric | Accretions | 1(1), 39 |
| Autumn on the Aegean | 4(1), 37 | |
| Fish the dead water hard | 8(2), 78 | |
| Gigon | 4(1), 37 | |
| Spring Forward, Fall Back | 3(1), 49 | |
| Found | 1(1), 40 | |
| Hicks, Bob | Chuckanut Crest Without Us | 4(2), 16 |
| Dusk, Lewis River | 7(2), 73 | |
| Pica Pantoum | 5(2), 74 | |
| Words disappeared | 6(1), 25 | |
| Young Woman on the Bus, Tweaking | 7(2), 74 | |
| Hiershe, Robin (w/ Gordon Chew) | in such a silent place | 4(1), 38 |
| Hill, Laura | Haiku | 8(1), 28 |
| Hill, Sean Patrick | Freezeout Creek | 1(1), 48 |
| Hjortsberg, Max | Birds Evidently | 3(2), 35 |
| Hoan, Nguyen Cong | The Teeth of an Upper-Class Family’s Dog (translated by Quan Manh Ha) | 3(1), 24 |
| Wife | 4(1), 15 | |
| Hoffman, Robert Davis | Village Boy | 6(2), 74 |
| Holleman, Marybeth | At a Poetry Reading | 8(1), 29 |
| every rock | 6(2), 74 | |
| rock poem | 8(1), 30 | |
| The Beating Heart, Minus Gravity | 1(2), 38 | |
| The Fantastic Skies of Orphan Stars | 2(2), 19 | |
| the warm dark | 6(2), 75 | |
| The Wing Feather | 2(2), 19 | |
| Yesterday, On the Familiar Trail | 1(2), 38 | |
| Hollowell, Erin Coughlin | Fortune | 2(2), 47 |
| Holroyd, Branwyn | Hibernation | 6(2), 75 |
| The First View of Winter from Elevation Coffee, Taos NM | 7(2), 75 | |
| The Task of Excavation Holds Her | 7(2), 76 | |
| Holthaus, Aileen | The Fox | 6(1), 25 |
| Hood, Barbara | Glowing in the Dark | 7(2), 122 |
| Winter Bear | 8(1), 31 | |
| Hoover, Leota | Momma’s Moose | 4(2), 74 |
| Hopkins, Curt | On Moving to Paris to Start a Wan Tubercular Literary Journal | 3(1), 50 |
| The Return of American Monster | 1(2), 39 | |
| Hosking, Sandra | Drenched | 8(2), 35 |
| Houk, Amy O’Neill | Haunt | 5(2), 48 |
| Howard-Snyder, Frances | Rocket Science | 7(1), 21 |
| Hudson, Hannah | “If you are squeamish, don’t prod the beach rubble” | 3(2), 35 |
| Hughes, David | President Bush and the Rubik’s Cube | 8(1), 64 |
| Hult, Carol | In the still of winter | 2(1), 20 |
| Wilderness Dreams | 2(2), 26 | |
| Hutson, Raymond | Night Rain | 4(1), 38 |
| Hutton, B. | a nod to kerouac, bukowski, waits, and the inventor of the humancity | 4(2), 17 |
| crabapples | 6(1), 25 | |
| I miss the raised eyebrows of my midwestern youth | 8(2), 79 | |
| i never know how to respond when my brother sends me poetry about his suicidal fantasies or killing his wife and her lover | 4(1), 39 | |
| koyuk poem | 5(1), 58 | |
| Noises | 8(1), 65 | |
| Piece Of Work | 4(1), 40 | |
| Sunday, 12/19/04 7:45AM | 1(1), 42 | |
| the quality of tears | 5(1), 58 |
I
| Ippolito, John | The Awakening | 2(2), 26 |
| Isto, Sarah | After Her Tidy Death | 7(2), 76 |
| Equinox Below Zero | 7(1), 54 | |
| Insinuate Yourself in Willows | 6(1), 26 | |
| New World | 5(2), 75 | |
| No Bridge to Somewhere | 6(2), 76 | |
| Not So Deep Our Bay | 6(1), 26 | |
| Private Dialect | 8(2), 80 | |
| Yukon Flats | 5(1), 59 | |
| Iverson, Matt | Broken Cup | 5(2), 75 |
| Ivey, Eowyn LeMay | The Creek | 1(2), 20 |
J
| Jaeger, Brenda | Lullaby for My Guitar | 5(2), 10 |
| Tremolo | 5(1), 59 | |
| You Could Hang and Swing | 3(1), 50 | |
| Jani, Seth | Olly and the World Sea | 7(2), 77 |
| Jansen, Bill | Tillamook Dawn | 3(1), 51 |
| Janssen, Marc | Philip, Seattle, 1921 | 5(1), 59 |
| The Rhythm of the Rain | 6(1), 27 | |
| November IV | 5(2), 77 | |
| Statement of Purpose | 8(2), 80 | |
| Windsong | 7(1), 85 | |
| Janssen, Will | Washed up in Portland | 5(2), 76 |
| Jean, Ted | Ashes of Love | 2(1), 20 |
| Johnson, Eric | The Old Man | 8(2), 24 |
| Johnson, J. Christine | Dulce Et Decorum Est | 4(1), 17 |
| Johnson, Jill | Cranes 1: Alaska Range | 8(2), 81 |
| Willow 1 | 6(1), 27 | |
| Dry Dirt Country: Cassidy’s Complaint | 7(2), 77 | |
| Johnson, Juleen Eun Sun | Blink for Luck | 4(2), 18 |
| Country Cat (Uncle Willie) | 5(1), 60 | |
| Johnson, Michael | The Logger’s Lament | 4(2), 18 |
| Johnson, Michael Lee | Caricature of an Early Planter: Edmonton, Alberta, 1978 | 2(1), 20 |
| Coffee Time, Fuller’s Restaurant | 4(2), 19 | |
| Johnson, Susan | Womanchild | 8(2), 82 |
| Jordan, David | Gardeners | 6(1), 60 |
| Jones, Dixon | Occupational | 5(2), 77 |
| The marathon of autumn | 5(2), 77 | |
| Jones, Marion Avrilyn | Contract | 7(2), 78 |
| Falling to Land | 8(1), 31 | |
| For Marjorie: Playing with Fire | 7(2), 78 | |
| Threshold | 7(1), 55 | |
| Wedding Anniversary Wish | 8(2), 83 | |
| Junemoon | She Did It Anyway | 6(1), 17 |
K
| Kane, Joan | Nesting Chronology | 1(1), 50 |
| The Fire | 1(1), 50 | |
| Kancewick, Mary | a shadow | 6(2), 76 |
| Three Rules | 7(1), 55 | |
| Women Boating | 4(2), 19 | |
| Karnick, Dane | Drawing Skills | 2(2), 27 |
| To Skunk Cabbage | 2(2), 27 | |
| Kaufmann, Peter | Maitre D’ Of The Campfire | 7(2), 80 |
| Unspoken | 7(2), 79 | |
| Kearney, Pamela | I am from Esther | 3(1), 52 |
| Kell, Anne-Corinne | Artificial Insemination | 5(2), 49 |
| Road Kill | 6(2), 103 | |
| Kemnitz, Jennifer | Cryophilia | 7(2), 80 |
| Kennedy, Raud | Silver Elvis | 4(1), 12 |
| Ketchum, Linda | In the Footsteps of Harry Lime | 8(2), 44 |
| Khera, Susheila | Are You Safe? | 3(2), 36 |
| Pushing Off at Dusk | 1(1), 51 | |
| September 12, 2001 | 1(1), 51 | |
| Klauder, Kaija | Looking Across at the Sun | 4(1), 41 |
| Kleinberg, J.I. | Bones | 3(2), 37 |
| Kleven, Michael | In A Class With Poets: An Interview with poet David Wagoner, about his teacher Theodore Roethke | 2(2), 91 |
| Kleven, Sandra L. | Bridges | 2(1), 22 |
| Circumference | 6(2), 77 | |
| Coining A Poem | 7(1), 117 | |
| For Richard Who Knows Everything | 3(2), 37 | |
| Harpoon: A Journal of the 70’s that Helped Shape Alaska Literature | 8(2), 111 | |
| Jaden is Calling | 1(1), 13 | |
| Staff Notes: Finding Kellie Doherty | 7(2), 147 | |
| The Canny Invention | 1(2), 71 | |
| The Influence of Theodore Roethke: “I Teach Out of Love” | 8(1), 124 | |
| The Wilder Parts of Nature: An Interview with Mike Burwell | 3(2), 84 | |
| Vivian Faith Prescott: Woman With Berries in Her Lap. On the loss of Richard Dauenhauer, on poetry as process, language as culture, creating with sea glass, and the uncanny beauty of Mickey’s fishcamp | 6(1), 105 | |
| Knoll, Tricia | Bat Girls | 5(1), 60 |
| “For a Perfect Catch, Fishmongers Go for the Halibut” | 8(2), 84 | |
| Here to There on Portland’s Rainy November Streets | 6(1), 28 | |
| The Western Dusky-Footed Wood Rat | 6(1), 28 | |
| Witnesses | 5(1), 60 | |
| Koger, Grove | A View of the Owyhees | 7(2), 124 |
| Kraft, Jerry | How We Move The Boat | 4(1), 41 |
| Falling | 5(1), 61 | |
| Third and Pine | 5(2), 78 | |
| Kremers, Carolyn | As If Anything Might Make a Difference | 4(1), 42 |
| Kunkel, Mary | Street Dance | 8(1), 66 |
| Kuntz, Len | Family Meeting | 2(2), 70 |
| Hand-painted | 8(1), 32 | |
| Silence Is A Yes | 7(2), 80 | |
| Kurn, Emily | Headwaters | 3(1), 54 |
| Last Testament | 3(1), 53 | |
| The Places you Drove Me | 3(2), 38 | |
| Want | 3(1), 53 | |
| Kyle, Catherine | A Shipwreck Off the Coast Leaves Only One Survivor | 5(2), 78 |
L
| LaFleiche, Debbie | Legacy of a Recipe | 5(1), 28 |
| Lampman, Annie | A Love Story of Trees | 6(1), 82 |
| Landrum, Elizabeth | Morning Fog | 5(1), 61 |
| Teachable Moment | 8(2), 83 | |
| Lane, Patrick | The Antelope In The Snow | 4(1), 45 |
| Lane, Susan Sigrun | The House of Rain | 8(2), 84 |
| Langham, Simon | A Pentimento | 1(2), 40 |
| Alice’s Champagne Palace | 8(2), 28 | |
| August and Beyond | 3(2), 39 | |
| Funnelcakes | 3(1), 21 | |
| I HAD JUST FINISHED EXPLAINING | 2(2), 48 | |
| Little Tutka Bay | 1(2), 41 | |
| Long Trail Coverts | 2(1), 90 | |
| These Are The Men | 1(2), 42 | |
| Larsen, Amy Otto | Fool’s Lake | 1(1), 43 |
| Norma’s Cove | 1(1), 43 | |
| Laster, Jonna | Beachcombing Kotzebue | 1(2), 43 |
| Devil’s Club Chronicle | 2(1), 74 | |
| Lawry, Mercedes | Dusk | 7(2), 81 |
| Lighting Out From The Failed Homestead | 7(2), 81 | |
| Laws, David | Higher Mathematics | 8(1), 32 |
| Miscommunication | 7(2), 82 | |
| le Fatte, Eric | Cairn | 6(2), 77 |
| Cusp of the Rains | 6(1), 29 | |
| Dishwashing | 5(2), 79 | |
| High Tide in Umatilla County | 8(2), 85 | |
| Inertia | 7(2), 82 | |
| Lake of the Angels | 6(1), 29 | |
| The Physics of the Size of the Moon | 4(2), 20 | |
| The Waterfall above Hart Lake | 7(1), 56 | |
| Lease, Tracy | Contorted by Cold | 6(2), 23 |
| Leavens, Alex | Dutchman Peak | 8(2), 85 |
| LeBlond, Richard | Tea with the Grizzlies | 6(1), 85 |
| Lee, Barbara | In The Fungal Embrace of the World’s Largest Living Organism | 4(1), 88 |
| Leggett, Charles | All-Ages Latin Music at the Famous Spiegeltent | 3(2), 40 |
| At Sixes and Sevens | 4(1), 46 | |
| LeHew, Laura | The Fate for Which We Must Prepare | 2(2), 25 |
| LeMay, Julie | Near Power Creek | 6(1), 30 |
| The Anchorage Jail | 5(1), 62 | |
| Lende, Heather | The Christmas Parade | 1(2), 74 |
| Lera, Ruth | Day 13 | 7(1), 56 |
| Levchin, Rafael | [an optimistic apocalypse] | 4(2), 20 |
| Levi, Steven C. | Alzheimer’s August | 7(1), 57 |
| harold the hippie | 5(2), 79 | |
| Levin, Janet | Are You A Potter? | 2(2), 89 |
| At Alpine Above Hope | 3(1), 54 | |
| Leaving | 1(2), 44 | |
| The Only Thing I Know Now | 2(1), 21 | |
| Tribute | 1(1), 46 | |
| Liggett, Deb | Full Moon | 1(2), 45 |
| Out the Back Window | 1(1), 49 | |
| Storm | 1(1), 49 | |
| Lieberman, Kim-An | Circumbinary | 4(1), 46 |
| More Moon | 4(1), 47 | |
| Lierley, Emma Rae | Amalgam | 5(1), 63 |
| Angry at the Task | 5(1), 62 | |
| Lilley, Joanna | Firebreak | 1(2), 45 |
| Little, Richard | Channeling Bill Douglas | 7(2), 27 |
| Linville, Allison J. | The Most Silent You’ve Ever Seen Me | 2(2), 28 |
| Livshin, Olga | Border Line | 5(2), 99 |
| Baby’s Heartbeat | 4(1), 47 | |
| During Baby After | 4(1), 48 | |
| Loewen, Rosalie | Lillian’s Lilacs | 4(1), 21 |
| Review of Liveaboard, by Emily Wall | 4(1), X | |
| Loewen, Sara | Capacious | 2(1), 72 |
| Loftus, Oliver | I day dream of my father running | 5(1), 63 |
| Longenbaugh, John | Affairs with the Moon | 1(2), 67 |
| New World Under | 6(1), 101 | |
| Long, Robert Hill | Song of the West | 2(1), 21 |
| Lord, Nancy | At Sea | 1(1), 21 |
| Beep | 7(2), 20 | |
| Love, Blake | Bible Paper | 4(2), 21 |
| Lucky, Linda | Yard Sale Find | 8(2), 86 |
| Ludwin, Peter | Girlfriend | 8(2), 86 |
| Luff, Cody T. | Other Bars | 6(1), 62 |
| Lundstrom, Marie | Columbia River Rising | 1(2), 48 |
| Majesty Gone | 1(1), 52 | |
| Old Warbirds at an Airshow | 4(2), 21 | |
| On a line borrowed from Marge Piercy | 2(2), 30 | |
| Perspectives | 1(1), 52 | |
| Ravens in the DMV Parking Lot | 2(2), 30 | |
| Schizophrenia | 8(1), 33 | |
| Walking Home from the Bookstore | 4(1), 48 | |
| Lundy, Gary | you wonder as speech proceeds | 5(1), 64 |
| Lydon, Tim | Crosscut Saw | 8(2), 48 |
M
| MacIsaac, Dan | Spirit Bear | 3(2), 40 |
| Mack, Donna | Courtship | 4(2), 72 |
| Prologue to the novel Season of the Ploughshare | 3(1), 7 | |
| Mack, Richard | Searching for Thoreau (Misdemeanor Beachcombing) | 3(2), 14 |
| Mackie, Adam | The Cussedness of Service’s Yukon | 8(2), 87 |
| Magee, Michael | Diagnosis | 8(2), 87 |
| Maiorca, Scott | A Letter to My Sons | 1(2), 78 |
| Maldonado-Patrick, Carmen | Dust | 7(1), 58 |
| Spring | 4(2), 21 | |
| Marcus, Ruth | Folded Paper | 8(1), 33 |
| Mares, Tony | A Man of Little Understanding | 5(1), 66 |
| A Clever Fellow | 5(1), 67 | |
| Churriana | 5(1), 67 | |
| Hombre de Poco Entendimiento | 5(1), 66 | |
| In the Curved Light | 5(1), 68 | |
| In Memoriam: Gabriel Garcia Marquez | 5(2), 107 | |
| Introduction | 5(1), 65 | |
| It Doesn’t Matter, Fernando | 5(1), 68 | |
| Keeping Watch Over Lorca | 5(1), 69 | |
| Party Hack | 5(1), 69 | |
| The Corporal | 5(1), 70 | |
| Transit Papers: Remembering Ernest Anthony “Tony” Mares | 6(2), 123 | |
| Martin, Jake | First and Last | 6(1), 30 |
| Martin, Linda | Building a Boat | 3(1), 53 |
| Our House | 2(1), 73 | |
| Martin, Terry | A Question of Rivers | 4(2), 22 |
| Sipping Coffee in His Backyard Garden | 5(2), 80 | |
| Marvel, Jason | Climbing Lazy Mountain | 1(1), 53 |
| Drowning | 1(2), 49 | |
| McBride, Andrew Shattuck | Invitation | 8(1), 34 |
| McClanahan, Alexandra | Horsing around | 6(2), 77 |
| McDonnell, Jerry Dale | A Regretful Death | 7(2), 29 |
| A Review of Resurrection Bay, by David Stallings | 8(1), 147 | |
| Mastodon Trails | 5(1), 10 | |
| Wall Street Elk | 5(2), 80 | |
| McElroy, David | At Pretrial Services LLC | 8(1), 34 |
| Beautiful Dangerous Women | 7(1), 57 | |
| Chipa | 5(1), 70 | |
| Coccyx | 4(1), 50 | |
| House on Helluva Street | 6(2), 78 | |
| Ice Road Trucker | 2(2), 33 | |
| In My Deli Dream | 1(1), 54 | |
| In Your Child Soldier Dream | 3(2), 41 | |
| In Your Snowflake Dream | 1(1), 54 | |
| Jaundice | 8(2), 88 | |
| Just Between Us | 4(2), 22 | |
| Melting Pot | 1(2), 50 | |
| Morning Paper | 5(2), 81 | |
| Pall Bearers | 2(1), 26 | |
| Some Fogs | 2(2), 33 | |
| Take an Orange in Case You Get Lost | 3(2), 41 | |
| The Elephants | 7(2), 83 | |
| The New Deck | 4(1), 49 | |
| Ugly Lovers | 6(1), 31 | |
| Videographer | 3(2), 42 | |
| Volcanoes in the Window | 2(1), 26 | |
| Weatherman Healing | 1(2), 49 | |
| Zacualpa | 1(2), 51 | |
| McFarland, Ron | August Afternoon Driving East | 4(1), 50 |
| After the Conference on Ecocriticism | 8(2), 89 | |
| Catch-and-Release | 3(1), 55 | |
| Getting Acquainted with Walleye | 7(2), 32 | |
| Getting a Place at the Lake | 6(1), 32 | |
| Hemingway’s Yo-yo Tricks | 2(1), 25 | |
| Poems as Lovely as Trees | 6(1), 31 | |
| The English Professor’s Last Fishing Trip | 7(1), 25 | |
| McKay, Buffy | April, Austen, Anchorage | 1(1), 55 |
| How Spring Travels in Alaska | 1(1), 56 | |
| What I Thought I Left Behind | 2(1), 27 | |
| McKay, John | Always More: Thirteen New Ways of Looking at and Listening to a Black Bird | 2(2), 39 |
| Aubade, in Geologic Time | 3(1), 51 | |
| Doogle David | 2(1), 28 | |
| Labor Day at Glen Alps | 2(2), 40 | |
| Tundra Twilight | 1(2), 52 | |
| McKenzie, DC | Extrusion | 7(2), 84 |
| the paradox of Beauty and Truth No 9-as applied to plaster and sparrows | 8(1), 35 | |
| Tinfoil–a doctrine of disobedience | 8(2), 90 | |
| McLeod, Maria | The Father: Hammer and Nails | 8(2), 89 |
| McMillan, Marie Ryan | Trail Faith | 6(2), 109 |
| McNally, Linnea | o holy light | 1(2), 52 |
| McRae, Kristine | Second Language | 3(1), 35 |
| Mears, Stefon | Engineering Coincidence | 3(2), 12 |
| Mehl, Rachel | Days Between Snow | 1(2), 53 |
| The Place Where We Live | 1(1), 56 | |
| Meissner, Amy | Swallowing the Needle | 6(2), 27 |
| Melton, Kim | All for One | 7(2), 21 |
| Messick, John | Learning To Read | 6(1), 87 |
| Merrifield, Karla Linn | An Equinox Vocabulary | 1(2), 53 |
| Nocturne | 8(1), 35 | |
| Oyster Hour | 2(2), 30 | |
| Sucia Trip | 7(2), 85 | |
| Viewfinding | 7(1), 58 | |
| Merritt, Lea | Pickle Juice | 8(2), 91 |
| Mertz, Erick | The Confession of a Knot | 6(1), 32 |
| Met, Jennifer | Character of Place | 6(2), 78 |
| Mickey, S. Hollis | We built a house for each other that lasts | 8(1), 36 |
| Mihajlich, Lucy | Black Day | 8(2), 31 |
| Miles, Christopher Lee | Bin Emptying | 2(2), 32 |
| Dirge | 2(2), 31 | |
| Uncovering the abandoned property | 2(2), 32 | |
| Miles, Suzanne | Field Note | 3(2), 42 |
| Opening Day | 4(1), 51 | |
| The Green Man in Winter | 3(2), 43 | |
| Millard, Egan | Room 214 | 6(1), 33 |
| The End of Karen | 6(1), 33 | |
| Millbrooke, Anne | Creation Day | 3(2), 43 |
| Hybrid | 2(2), 31 | |
| Teacher | 3(1), 51 | |
| Miller, Amy | A Glimpse of Me and My Ex | 8(1), 37 |
| Miller, Kate | Creation Story | 5(2), 81 |
| Solar Storm | 4(2), 23 | |
| Miller, Kevin | Scarecrow CrucifixX | 8(2), 91 |
| What You Refused to Tell | 7(2), 86 | |
| Miner, Valerie | Mountain Pose | 6(1), 64 |
| Mishler, Susanna J. | It’s Not So Much What’s Here, It’s- | 2(2), 34 |
| To Eat Here is to Celebrate the Guava Tree Which Like All Trees Throughout History Hs Been a Symbol of Life Not to Say Nourishment of Spirits Which Sometimes Appear as Bats | 2(2), 35 | |
| Rock, Paper, and the Second Person. A Review of Overwinter by Jeremy Pataky | 6(2), 135 | |
| Molotkov, A. | Untitled | 2(2), 36 |
| Moody, Nancy Carol | Controlled Flight into Terrain | 6(2), 79 |
| Like a River Flows, Surely | 6(2), 79 | |
| Monaghan, Patricia | Dancing with Liberty | 3(1), 56 |
| Monroe, Cynthia | Wrangell Sestina | 7(2), 86 |
| Morgan, John | “A-Cranberrying” | 4(1), 52 |
| A Memorial Perhaps | 1(1), 57 | |
| American Taliban | 2(1), 24 | |
| Arrival | 3(1), 57 | |
| Counting Caribou Crossings – Prudhoe Bay, Alaska | 1(1), 57 | |
| Firestorm | 3(1), 57 | |
| Homeless in Seattle | 4(1), 52 | |
| Sabrina Spielrein, A Life | 8(2), 92 | |
| Two Views of the Wreckage | 2(1), 24 | |
| Morse, Matthew | Winter Driving: A Survival Guide | 5(2), 10 |
| Morse, Rebecca D. | East of the Eye | 7(2), 87 |
| Moul, Keith | Ball Scores Move On | 4(1), 53 |
| On Our 28th Anniversary | 7(2), 88 | |
| Taking Words Out of His Mouth | 2(1), 25 | |
| Mount, Emily | Wild Voices: Learning to Listen, an interview with Hank Lentfer | 8(2), 117 |
| Mulka, Mary Huyck | Kelsea Habecker Hollowed Out | 1(1), 68 |
| Mullen, Mary | Alaska Summer Rite, 1969 | 1(2), 46 |
| Nikolski 1984 | 4(2), 36 | |
| Noisy | 3(1), 58 | |
| On the Kuskokwim River | 5(1), 71 | |
| Untitled | 3(1), 58 | |
| We Were All Touched by the Radio Every Night at Six | 5(2), 82 | |
| kjmunro | amazon | 2(2), 36 |
| read it again as a question | 2(2), 36 | |
| Munson, Sharon Lask | Going Home | 3(2), 44 |
| Heat | 6(1), 33 | |
| Subject to Division | 4(2), 24 | |
| Wade a Little Deeper, Darling | 5(2), 82 | |
| Muro, Mark | bus | 4(1), 54 |
| Green Lake | 1(1), 60 | |
| high noon | 8(1), 37 | |
| My Father’s Spoon | 4(1), 89 | |
| Picasso | 1(2), 47 | |
| Pickle Days (Revisited): A One-Act Play | 2(1), 43 | |
| reverie | 6(2), 80 | |
| Spaghetti western | 1(1), 61 | |
| timbuktu | 8(2), 93 | |
| Warning | 1(2), 47 | |
| Myhr, Elizabeth | Freeport, Bahamas | 5(1), 71 |
| generation | 5(1), 72 | |
| morels | 5(1), 72 |
N
| Nahaan | Dipping | 4(2), 24 |
| Kivgik | 7(1), 59 | |
| we owe it to them | 8(1), 38 | |
| Nelson, Jana Ariane | End of the Alcan | 5(1), 35 |
| Garnett’s Bible | 7(2), 37 | |
| Just Venting | 6(1), 90 | |
| Neufeldt, Leonard | The Return | 7(1), 59 |
| Nickerson, Sheila | How Our Lives Become Opera | 6(2), 81 |
| Notes from the Umiak-Maker, Kamchatka | 4(1), 55 | |
| On Approaching a Fiftieth Wedding Anniversary | 5(2), 83 | |
| On Moving into the Blue Victorian House on Elizabeth Street | 4(2), 25 | |
| One Laureate’s Way: Comments and Five Poems | 7(2), 135 | |
| Russ, in the Dark Garden | 4(1), 55 | |
| Sailing in the San Juan Islands: Late August | 3(1), 59 | |
| Summer Ends in the High Latitudes | 3(1), 59 | |
| Traveling the Mountain Passes: Oregon | 5(2), 83 | |
| While You Were Having Your Operation | 4(2), 25 | |
| Nigro, Debbie | Birch Knoll | 1(2), 48 |
| Eriophorum | 1(1), 62 | |
| Nolting, Anne Carse | 12:21 | 2(1), 29 |
| Archive | 3(1), 62 | |
| Craft | 5(2), 84 | |
| Nolting, Joe | Balancing Act | 4(1), 55 |
| Ghost Island | 4(2), 26 | |
| Numbers Game | 2(1), 30 | |
| Paying for Passage | 3(1), 62 | |
| Reaching Across Dark Water | 5(2), 53 | |
| To Alzheimer’s | 4(1), 56 | |
| Questions Beneath the Surface | 6(1), 34 | |
| Noomah, Bill | The Waters Saw You | 4(2), 26 |
| Nyerges, Judi | The Boat, the Goat, and the Oldest Living Virgin in America | 8(1), 70 |
O
| O’Donnell, Dennis | be an open boat | 1(2), 48 |
| O’Donnell, Nicole Stellon | Chilkoot Trail | 3(2), 44 |
| Infidelity | 2(1), 41 | |
| Raven | 3(1), 64 | |
| River Town | 3(1), 63 | |
| O’Donnell, T.J. | “The Dark Is Hurting My Eyes” | 3(1), 64 |
| Oh, Leslie Hsu | The Red Balloon | 1(2), 24 |
| O’Harra, Doug | Kringle | 1(2), 8 |
| Mothering | 3(1), 9 | |
| Oliver, Jeff | The Other Side of Solstice | 1(2), 54 |
| Orvik, Judy | Ice Bridge, Last Trip | 5(2), 84 |
| Spawn | 6(1), 35 | |
| Otto, Amy | Bridge to Nowhere | 2(1), 31 |
| Owen, Coco | Salmon Queen | 1(2), 56 |
| Owen, Wayne | Magpies- Black and White | 2(1), 98 |
P
| Paine, Jocelyn | Parting Gift: anatomy class meditations | 5(1), 72 |
| The Boat in the Trees | 8(1), 76 | |
| Palmer, Carl | Shadow Lake Snow Snakes | 6(1), 35 |
| Pardes, Joan | Leave No Trace | 6(2), 115 |
| Partridge, Dixie | These New Elevations | 6(1), 35 |
| How It Goes On | 6(1), 36 | |
| Pataky, Jeremy | After This Life | 1(2), 55 |
| Manual Labor in the Era of Delinquent Weather | 6(1), 36 | |
| Raspberries | 2(2), 37 | |
| Sky Behind Weather | 6(1), 37 | |
| Review of Inside, Outside, Morningside by Marjorie Kowalski Cole | 2(1), 114 | |
| Pechuzal, Justine | Dipnet | 8(2), 94 |
| Pels, Jackie | Wonderful | 8(1), 39 |
| Perkins, Tanya | Night Noise | 1(2), 22 |
| Persun, Terry | Poor Farmers | 5(2), 85 |
| Petit, Jim | The Golden Octopus | 1(2), 55 |
| The Duck Hunters | 2(2), 38 | |
| Pianta | Road to Red Deer | 3(1), 65 |
| Pilgrim, Timothy | 300 streams of memory | 3(2), 50 |
| Anemone | 5(1), 73 | |
| Card from Idaho, only snow on the cover | 7(2), 88 | |
| Choppy Water | 4(1), 57 | |
| Doing nothing wrong and still losing | 3(1), 66 | |
| Family of widows | 8(1), 39 | |
| If hope were a shriek in the night | 6(1), 38 | |
| Letter found on a flash drive near the British Columbia border | 2(1), 31 | |
| Little adobe something-or-other in Santa Fe | 7(1), 60 | |
| Painting the soul | 3(2), 50 | |
| Stick horses | 5(1), 73 | |
| Too much gossamer | 5(2), 85 | |
| Polson, Candace | For R.H. | 4(1), 57 |
| Polson, Shannon Huffman | Fall | 2(1), 65 |
| Poore, Deborah | Early Blueberries | 2(2), 37 |
| Fini | 2(1), 31 | |
| Pope, Doug | Arctic Char | 2(1), 32 |
| Chitna UFO | 1(2), 77 | |
| Christmas 1961 | 4(2), 26 | |
| Falling | 1(1), 58 | |
| Kennicott Crossing | 5(1), 76 | |
| Statehood | 6(2), 82 | |
| Yukon Mission | 5(2), 86 | |
| Pope, Susan | Women Picking Berries | 2(1), 62 |
| Porco, Peter | 52 Faces of Mountainview | 4(1), 58 |
| I Don’t Care if I Never Get Back | 2(1), 93 | |
| Mother & Child in a Garden | 1(1), 27 | |
| Saloon | 4(2), 28 | |
| Still walking, with metal hip | 8(1), 40 | |
| The Grace of Martha Gellhorn | 7(2), 89 | |
| Porter, Pamela | Neither blossom nor candle | 4(1), 58 |
| Pentimento | 1(1), 62 | |
| Prentice, Carol | Family Portraits | 8(2), 52 |
| Prentiss, Sean | Driving the West Late at Night, the Crew Asleep, Many Miles Left to Travel | 5(1), 74 |
| The Trophy Room Bar [Prospect, Oregon] | 5(1), 74 | |
| Our Dictionary | 5(2), 87 | |
| Prescott, Vivian Faith | A Review of Courtesans of Flounder Hill, by Ishmael Hope | 8(1), 149 |
| Amoeba | 5(1), 75 | |
| Caul | 8(2), 95 | |
| Deadmans Island | 8(1), 81 | |
| Misery Index: 13.55 | 3(1), 66 | |
| Revelations | 1(2), 58 | |
| She’s the Splitting Image of… | 1(2), 58 | |
| The Alien Stories | 2(2), 63 | |
| The Dead Go To Seattle | 2(1), 42 | |
| The Fire Tender | 7(2), 90 | |
| Waveform of Silence | 5(1), 75 | |
| Prossick, Lynne | Cherish | 6(1), 38 |
Q
| Quelch, Allie | Second Sunset to the South and Straight on to Starlight | 5(2), 87 |
| Quennec, Lina | Ophelia | 4(1), 59 |
| Quick, Kate | Berry Goggles | 6(2), 34 |
| Money Trees | 5(1), 19 | |
| Sin | 4(1), 94 |
R
| Rankin, Cassandra | Danger Day | 6(2), 37 |
| Good Morning Rooster and a Moose in the Barnyard | 7(1), 86 | |
| Ravicz, Tanyo | A Kodiak Miscellany | 7(2), 40 |
| Hippy Rig | 8(2), 54 | |
| Nature and the Northern Muse | 4(1), 95 | |
| Ravo, Nick | Jersey Dad | 8(1), 40 |
| Ray, Diane | Better Than Any of the Dancers | 7(2), 90 |
| Drone | 8(1), 42 | |
| Intoku | 6(2), 85 | |
| Restorative Yoga | 7(1), 60 | |
| Van Gogh Poppies | 8(2), 96 | |
| Read, Laura | Lilac City | 3(1), 67 |
| For the Boy Who Flipped Me Off on My Way Home | 3(1), 67 | |
| Reed, Tom | Moved by A Mountain | 5(1), 26 |
| Reid, James Edward | Inside the Glacier | 3(1), 33 |
| Reichman, Ellen | Perfectly Fine Glasses | 7(2), 91 |
| Rhodes, Kate | When Perennials Overcame the Esker at Mamalilaculla | 2(1), 34 |
| Rice, Kylan | Leave No Trace | 4(1), 59 |
| Rind, Sherry | Wildlife Rescue | 7(2), 91 |
| Ristau, Alicia | The Sand Man | 1(2), 59 |
| Ritchie, Bob | Time Frames | 2(1), 35 |
| Will Heaven Have Denali? | 1(2), 59 | |
| Ritchie, Cinthia | Destruction Bay, Yukon | 1(1), 67 |
| Eve in Homer, Alaska | 1(1), 67 | |
| Roberts, Matthew Campbell | A River Once More | 6(2), 86 |
| After Reading a Poem by Robert Sund | 8(2), 96 | |
| Back to Burley Creek | 6(1), 39 | |
| Kerouac’s Mountain | 6(1), 39 | |
| Out of Emptiness | 7(1), 61 | |
| Storm at Dash Point | 3(2), 51 | |
| The Coast | 3(2), 51 | |
| The Lost Valley | 7(2), 92 | |
| The West Fork | 8(1), 42 | |
| Zen Rock Garden: A Roethke Memorial | 5(1), 78 | |
| Robinson, Kelly Lynae | 2. | 4(1), 60 |
| Housesitter | 5(1), 78 | |
| Rockwell Jr., Julias | Dancing | 5(1), 30 |
| The Fudge Theory | 4(2), 46 | |
| The Sexual Behavior of the Male Red Salmon | 4(1), 90 | |
| Rockwood-Rice, Cassandra | The Guys of Geography: an Address | 2(1), 35 |
| Rogers, Ellie A. | Tide’s Aporia | 7(2), 92 |
| Rogow, Zack | Alligator Sling | 4(1), 61 |
| David and the Americans | 4(1), 60 | |
| Root, Jenny | Hedera helix | 6(2), 86 |
| Romano-Lax, Andromeda | She Looks In The Mirror | 4(2), 49 |
| Roper, Brenda | A Cup of Coffee | 3(1), 68 |
| Monsoons | 8(1), 43 | |
| Witness | 5(1), 79 | |
| Rosebrook, Janette Lyn | American Mantra | 8(2), 97 |
| Rosenblum, Fred | Doing Sets Outsie of Tenakee Springs | 8(2), 98 |
| Ross, Noah | Fisgard Street | 3(1), 70 |
| Rubenstein, Steve | A Tribute to Derick Burleson | 8(2), 123 |
| Rubinstein, Steve | After Driving Crew Three to the Snoqualmie Fire | 4(1), 61 |
| Circling Sun | 3(2), 52 | |
| Farmhouse | 3(2), 52 | |
| That Summer Headed South to Big Trees | 6(1), 40 | |
| Runciman, Lex | Fantasy Sunday | 6(1), 40 |
| In Lockup | 6(1), 41 |
S
| Saffell, Deric | The First Step | 2(2), 40 |
| Salsman, Rebecca | A Love Affair with French | 6(2), 87 |
| Playing Rummy with a Stranger on an Airport Floor | 6(1), 41 | |
| Sarrimanolis, Birgit Lennertz | Snow Labyrinth | 5(2), 11 |
| Saulitis, Eva | Prayer 3 | 5(2), 89 |
| Prayer 4 | 5(2), 89 | |
| Prayer 51 | 5(2), 90 | |
| Prelude: After Recurrence | 5(2), 89 | |
| Wild is the Writing of Christine Byl: A Review of Dirt Work: An Education in the Woods | 4(2), 82 | |
| Sayer, Allison | Rust | 6(2), 87 |
| Scanlan, Adrienne Ross | The Waltz | 7(1), 30 |
| Scarano, Caitlin | To the Gatekeeper | 3(2), 53 |
| Scarfone, Suzanne | Dream Forest | 1(2), 60 |
| Scarrow, Chris | Men of the Woods | 2(1), 94 |
| Schandelmeier, Linda | Today Is All They Have | 1(2), 61 |
| Shafer, Nathan | A Few Notes Concerning Alaskan Death Metal | 4(2), 77 |
| Schatz, Traci | Standing in for Love | 4(1), 62 |
| Schikora, Emily | Stuffed Copper River Red: Your Mother’s Recipe in 13 Steps | 2(1), 61 |
| Schneider, Steven | Buffalo Sighting | 5(2), 91 |
| El Largo Camino (trans. Edna Ochoa) | 6(1), 43 | |
| The Long Camino | 6(1), 43 | |
| This Is Where I Live Now | 6(2), 88 | |
| Trepidation | 8(2), 97 | |
| Scott, Betty | A Northwest Winter’s Dream | 4(2), 28 |
| Sebenick, E.R. | Grace is Gone | 8(1), 82 |
| Sexton, Tom | 48 Oak Street: A Memoir | 7(1), 109 |
| A Review of John Morgan’s Forms of Feeling: Poetry in Our Lives – Essays and Interviews | 4(2), 84 | |
| Always a Laureate: The Writing Life | 7(1), 106 | |
| Apple | 1(2), 61 | |
| Insomnia | 3(1), 60 | |
| Killing the Kenai Peninsula’s Wolves | 5(1), 82 | |
| Medieval Bestiary: The Wolf | 5(1), 82 | |
| Our Hand Carved Ornament of a Great Blue Heron | 3(1), 60 | |
| Sunday Morning Near Anchorage | 3(2), 53 | |
| The Man from Here | 4(2), 29 | |
| To the Chinese Poets | 5(1), 82 | |
| Trumpeter Swans | 3(1), 59 | |
| Visiting the Hanes Homestead at Richardson, Alaska | 4(2), 29 | |
| Shafer, Nathan | Pixel Fjords Screengrabs | 7(1), 42 |
| Shappell, B.L. | One Last Time | 6(1), 44 |
| The Art of Howling | 3(2), 53 | |
| The Waiting Hare | 6(2), 88 | |
| When You Left | 5(2), 91 | |
| Shea, Elaine | No Questions Asked | 5(2), 91 |
| Roller Derby Skate | 4(1), 62 | |
| Sherry, Tim | At Pompeys Pillar | 7(2), 94 |
| Daughter Driving Home to Mother | 8(2), 99 | |
| Sherwonit, Bill | On An Early Winter Day, An Abundance of Bugs | 1(1), 16 |
| Review of The Hard Way Home by Steve Khan | 2(1), 109 | |
| Shumaker, Peggy | A Toast | 3(1), 61 |
| Stop Bath | 3(1), 61 | |
| Siegel, Scot | Remote Settlements | 2(2), 41 |
| Sigriddaughter, Beate | The Mistakes | 3(1), 17 |
| Three Unicorn Stories | 2(1), 89 | |
| Sihler, Ann | In the Orchard | 5(1), 80 |
| Wildlife Spotting | 7(2), 45 | |
| Sikkema, Suanne | Recipe in 10 Steps of Who I Have Become, Plus Peanut Butter Cookies | 2(2), 87 |
| Simenson, Lois Paige | Poetic Dancer | 7(2), 45 |
| Singer, Deborah Chava | Her Own Name | 7(1), 61 |
| The World Was Ending and We Were Asleep on the Couch in Front of the TV | 4(1), 63 | |
| Skillman, Judith | Cicada | 5(1), 81 |
| Cupid, Chastised | 7(2), 96 | |
| Disassociation | 6(1), 44 | |
| February | 6(2), 89 | |
| Lifeboat | 8(2), 99 | |
| Tarnished | 5(1), 83 | |
| The Watched Pot | 7(1), 62 | |
| Unpainted Pictures | 8(1), 44 | |
| Sloan, Marla | when you are gone | 4(2), 30 |
| Smith, Craig | After You Die | 7(2), 97 |
| Getting Old | 5(2), 92 | |
| Pizza Dude | 5(1), 83 | |
| Sunday obituaries | 6(2), 90 | |
| Smith, Dawnell | A Bowdoin reader: No one can handle the children | 6(2), 43 |
| A Short Walk Through High Culture | 8(1), 106 | |
| fucking crickets | 4(2), 30 | |
| Smith, Jennifer L. | Femininity | 6(2), 91 |
| Joanna’s Child | 7(1), 63 | |
| Smith, J.L. | The Afghan | 7(2), 126 |
| Smith, Leslea | Alaska Reverie | 2(1), 36 |
| In Air | 1(2), 62 | |
| Let the Ravens Come | 2(2), 42 | |
| Listen to the River Talk | 6(2), 89 | |
| Terra Incognita | 3(2), 54 | |
| The Icon in My Room | 3(2), 54 | |
| Solovyov, Eugene | In the time of birds | 6(1), 45 |
| Somlo, Patty | A Certain Attraction to Gray | 6(1), 92 |
| For The Last Time | 2(2), 66 | |
| Standing Guard | 3(1), 14 | |
| The First Thing to Astonish | 5(2), 16 | |
| Soos, Frank | Crayons | 6(2), 91 |
| Doing It Yourself | 6(2), 91 | |
| Fly Rod | 3(1), 72 | |
| Grace | 3(1), 72 | |
| Gulkana | 7(2), 96 | |
| Tents | 3(1), 71 | |
| The Writer in Alaska/Alaska in the Writer | 8(1), 131 | |
| Soriano, Jen | Making the Tongue Dry | 7(1), 88 |
| Spagna, Ana Maria | When We Talk About Courage | 3(1), 26 |
| Spring, Michael | Kafka on the wall | 2(1), 37 |
| path under the black oak | 4(1), 64 | |
| reclamation | 2(1), 36 | |
| the neighbor’s garbage | 3(1), 72 | |
| St. Clair, Mistee | Girls | 6(2), 92 |
| The Finale | 7(2), 93 | |
| Until Then | 7(2), 93 | |
| Stafford, Keli | Blackout | 2(1), 37 |
| Stafford, Kim | In Invite the Fourth-Grade Teacher to Lead the Graduate Education Class | 5(2), 47 |
| In My Dream I Figure It All Out | 5(2), 47 | |
| The Opening Out North | 5(2), 47 | |
| Stallings, David | Don’t get me wrong- | 7(2), 98 |
| Petition | 3(1), 69 | |
| Pose | 2(1), 36 | |
| Remains | 2(2), 38 | |
| Showdown | 3(2), 55 | |
| Stanford, Lauren | An interview with authors Steve Kahn, The Hard Way Home, and Anne Coray, Violet Transparent | 2(1), 104 |
| Stangeland, Joannie | Another Supper Finds Me Lost | 5(1), 83 |
| Appetites | 6(1), 46 | |
| How Long, How Far | 5(1), 84 | |
| Self-Portrait, Framed by Bridges, a Vaporetto | 8(1), 44 | |
| Though You Walk | 4(1), 64 | |
| Steele, Cynthia | Gwennie’s in the 70’s | 7(2), 49 |
| Let the Dead Bury the Dead | 6(2), 41 | |
| Nothing, Good, Click | 5(1), 80 | |
| Poems Mark Place | 6(2), 131 | |
| Technicolor Yawn | 8(2), 57 | |
| Tremolo | 2(2), 42 | |
| Stenson, Leah | The Apple Doesn’t Fall Far from the Tree | 3(1), 69 |
| Stewart-Ito, Ali | Cheeselogs | 6(1), 92 |
| Suspended Inspiration | 6(1), 47 | |
| Untitled | 6(1), 47 | |
| Stevenson, Coleman | Who will not run? | 4(2), 31 |
| Stevenson, David | Sweeney Agnosites, A Review of Alaska Expedition: Marine Life Solidarity by James P. Sweeney | 4(1), 102 |
| Stice, Carolyn | Note: Regarding the Dynamics of Rotating Spherical Objects | 6(2), 92 |
| Stokes, Richard | Addressed to My Dearest Chickadee | 8(2), 100 |
| Tooting Into Manhood | 7(2), 52 | |
| Waxwings in the Ash | 7(1), 64 | |
| Visions of Wildness | 6(2), 44 | |
| Stoll, Judith | I Imagine My Death | 4(1), 65 |
| Strelow, Michael | A Little Lower Layer | 3(2), 80 |
| The Fisherman’s Wife | 6(1), 72 | |
| Sundmark, Teresa | Daitaro’s Breakthrough | 5(2), 21 |
| Floating | 3(1), 73 | |
| Sussman, Kaz | Chipmunks Interruptus: An Interloper’s Lament and Other Observations | 4(2), 51 |
| the doe that once was | 4(1), 65 | |
| Swanson, Karin | Catalpa Grandma | 7(1), 65 |
| Sweeney, James | Father’s Day | 8(2), 58 |
| Sweeney, Jim | Break Shack | 7(1), 89 |
| Ivy | 1(2), 7 | |
| Joel’s Ashes | 1(1), 12 | |
| Plastic Christmas | 2(1), 58 | |
| Wet Down Bag | 4(2), 52 | |
| Swift, Joan | Astronomy | 5(1), 84 |
| Dacha | 7(1), 93 | |
| Leaving Rio In The Rain | 5(1), 85 | |
| Swimm, Ben | To the Top of the Continent | 7(2), 98 |
| Volcanic Hazards in the Pacific Northwest | 8(2), 100 | |
| Sydnam, Nancy | Borrowed Shelter | 5(2), 56 |
T
| Takamura, David | Kokeshi | 7(2), 99 |
| Ophelia | 7(2), 99 | |
| Talley, Mary Ellen | At the Mouth of the River | 8(2), 101 |
| I Will Hurt You Somehow | 4(2), 32 | |
| Tarr, Kathleen Witkowska | Creative Nonfiction in the Taffy Pull Phenomenon of Time: A Review of The Far Edges of the Fourth Genre: An Anthology of Explorations in Creative Nonfiction by Sean Prentiss and Joe Wilkins | 6(1), 114 |
| Akhmatova, Secret Keeper of the Verse | 6(2), 95 | |
| Igor and the Holy Mountain | 8(1), 109 | |
| Miracle | 4(1), 66 | |
| My First Discovery of Richard Rodriguez | 2(2), 73 | |
| The Merciful Sea | 6(2), 46 | |
| The soul like water, will find a place to go | 1(1), 65 | |
| Tashea, Jason | Distance Learning | 5(2), 23 |
| Tate-Libby, Julie | It Feels Like This | 7(2), 54 |
| Taylor, Carey | Arrivals and Departuress | 4(1), 66 |
| Heirlooms | 4(2), 32 | |
| Mental Illness In America | 6(1), 48 | |
| Pangaea Lost | 3(2), 55 | |
| Pomology Lessons | 6(1), 48 | |
| Sicks Stadium, July 5th, 1970 | 8(1), 45 | |
| Still Breathing: A Lifetime of Poetry – An Interview with Joan Swift | 8(1), 142 | |
| The Algol Paradox | 3(2), 56 | |
| The White Album Summer | 6(2), 95 | |
| Taylor, Matthew C. | Buses, Bars, Bathroom Urinals | 8(1), 86 |
| Taylor, Natalie | Flood Plain | 6(2), 96 |
| Meditation at Bat Hour | 6(2), 96 | |
| Taylor, Nichole | The Gamers on the Bus | 2(1), 38 |
| Taylor, Steve | A Trained Professional: Out of the Group Home and Into the Field | 4(2), 53 |
| Ptarmigan Hunting in Alaska: A Love Story | 1(1), 19 | |
| Thielman, Charles | Oar swings below a night sky | 1(2), 62 |
| Thielman, Jim | Clouds Out a Train Window | 7(1), 66 |
| Rising | 6(1), 49 | |
| When you picture | 4(2), 33 | |
| Thompson, Elizabeth L | Blue Suede Casket | 4(1), 67 |
| Don’t Ever Fall in Love with a Poet… | 7(2), 100 | |
| Lakeside Dream | 3(1), 73 | |
| Looking for Larry | 2(1), 38 | |
| Thomson, Caitlin | Portrait | 8(2), 101 |
| Thurston, Doris Horton | The Tale Tradition | 2(2), 44 |
| Wilderness Morning | 2(1), 38 | |
| Tiffany, Georgia | At The Museum of Native American History | 2(2), 43 |
| My Mother Danced with Lawrence Welk | 8(2), 59 | |
| The Hunt | 2(2), 43 | |
| Trouble With Minnows | 4(1), 68 | |
| Toche, Benjamin | Healthy at Any Weight | 7(2), 130 |
| Todd, Toni | Paradise | 4(1), 7 |
| Toledo, Eugenia | Cantando la tierra (translated by Carolyn Wright) | 3(1), 79 |
| Embalse Puclaro (translated by Carolyn Wright) | 3(1), 78 | |
| Torres, JT | Taking Flight | 5(2), 57 |
| Townsend, Joanne | Always a Laureate: My Friends Have Made The Story of My Life | 6(2), 129 |
| Ancestors | 7(1), 66 | |
| Anchorage 1979 | 7(2), 100 | |
| For Julie Who Thinks I Should Write My Autobiography | 4(1), 68 | |
| Harpoon: Looking Back | 8(2), 116 | |
| Hyacinths: Late March | 5(1), 85 | |
| Notebook: August 18, 2016 | 8(2), 102 | |
| Sea Change | 5(2), 92 | |
| Something We Were | 5(2), 93 | |
| Story | 5(1), 85 | |
| The Past | 8(1), 45 | |
| Trust | 7(1), 67 | |
| Tozier, Marie | Facebook: Alaska Mystery Pictures, Investigating Unknown People | 7(2), 101 |
| When a Harvest Moon Lights the Sky | 8(1), 46 | |
| Trail, Pepper | Darwin at the Last | 8(2), 103 |
| Labor Day, South Cascades | 7(2), 101 | |
| Wreck | 3(1), 73 | |
| Treacy, Stephen | Beastly Night | 1(1), 63 |
| De Colores | 4(1), 69 | |
| Topiary | 7(2), 102 | |
| Yards | 1(2), 63 | |
| Trezona, Demi | Envelopes | 2(1), 39 |
| Troll, Tim | The Ravens of April | 2(2), 44 |
| The Red Wild Salmon | 2(2), 45 | |
| The Wisdom of the Old Ones | 7(2), 103 | |
| These Lakes | 5(2), 93 | |
| Turner, E D | First Snow After Macklin | 7(2), 105 |
| The Forecast | 5(1), 86 | |
| The Silence | 8(1), 47 | |
| Tschannen, Karen | black and white | 8(1), 46 |
| Breakup | 7(2), 103 | |
| Denotation-Connotation | 8(2), 104 | |
| Each Tomorrow | 3(1), 74 | |
| Proper Names | 7(2), 104 | |
| stones | 8(1), 47 | |
| Strange Men in Hats Next Door | 3(1), 74 | |
Upon Reading Ode to a Lebanese Crock of Olives (for Walter’s Aunt Libby’s diligence in making olives) | 4(1), 69 | |
| Wednesday | 7(1), 35 | |
| Twitchell, Blossom | Sincerely My Loe, a Letter to a Seal | 5(2), 94 |
| Tyrrell, Lucy | Nookomis Giizhik | 8(2), 105 |
| Trade Bead | 8(1), 48 |
U
| Ulman, Sean | A Potentate by Rote | 1(2), 16 |
| A Review of Disinheritance, by John Sibley Williams | 8(1), 151 | |
| Black Bellied Plover | 4(1), 11 | |
| Green Dream Scenes | 2(1), 98 | |
| Mark Making, by David McElroy | 8(2), 127 | |
| Tree Swallow | 5(1), 41 | |
| Uzzell, Wendy | Waiting for Me to Follow | 3(2), 8 |
V
| Vaičiūnaitē, Judita | Lapkritis | 6(2), 72 |
| Museum Street | 6(2), 71 | |
| Muziejaus Gatvä | 6(2), 71 | |
| November | 6(2), 72 | |
| Valvis, James | Fire and Love | 2(1), 40 |
| Van Paepeghem, Russ | Neighbors | 1(1), 15 |
| Vande Zande, Jeff | Theodore Roethke, a novel American Poet | 4(2), 55 |
| Violante, Catherin | Dementia | 7(2), 105 |
| Vinson, Flory | Alaska Synapse Shots | 2(2), 45 |
W
| Waggoner, M. Rita Roberts | So Far | 6(1), 97 |
| Wagoner, David | Daylight Savings | 3(1), 75 |
| In Memory of Closing Time | 4(2), 33 | |
| Poetry in Motion | 3(1), 75 | |
| Risus Sardonicus | 6(2), 97 | |
| Song of the Sequence of Tenses | 6(2), 97 | |
| The Chairman | 3(2), 58 | |
| The Finish Line | 3(2), 58 | |
| Wahl, Erin Renee | Devils in the Television | 6(1), 50 |
| The Conifer Eater: Leave-taking | 6(1), 50 | |
| Waight, Jean | Through the Floor | 7(1), 95 |
| Walker, Scott | If Heaven Were a City of All White Buildings | 5(1), 86 |
| Walker, Hillary | Other Women | 8(2), 32 |
| Panther Poster | 5(1), 46 | |
| Wall, Emily | Alaskan | 5(2), 94 |
| Care Package for Eva | 7(2), 142 | |
| John Morgan on his new book, Archives of the Air and on his mentors, his writing process, and the Denali Park residency | 6(2), 125 | |
| Naming the Birds | 1(2), 63 | |
| Saturday Creek | 7(2), 106 | |
| Where I’m From | 4(2), 34 | |
| Why You Come Back: False Outer Point, August | 5(2), 95 | |
| Walton, Thomas | Good Morning | 5(2), 95 |
| Walters, Kameron | Amchitka | 3(1), 76 |
| Ascent | 3(1), 76 | |
| Doing Dishes | 3(1), 76 | |
| Sod Huts | 3(2), 59 | |
| The Old Ways | 3(2), 59 | |
| Wanzenried, Michael | Down the South Fork | 8(1), 49 |
| Wappett, Matthew | Family Time | 2(2), 45 |
| Waring, Margo | Alaska Rain Forest Calendar: Dictionary of Words for Weather | 6(2), 98 |
| Camino | 8(2), 106 | |
| March Midden Archeology 1999 | 6(1), 51 | |
| Storm | 8(1), 49 | |
| The Perfect Dress | 7(2), 106 | |
| Wassilie, Sandra | Back to Tide Line | 5(1), 87 |
| Departure | 6(2), 98 | |
| Earthquake at Resurrection Bay, Alaska | 5(2), 96 | |
| Erasures | 8(1), 50 | |
| Visit from a Ten-Year Old Granddaughter | 5(1), 87 | |
| Wasson, Michael | Lexicon | 5(1), 88 |
| Mom’s First Night with the Body | 5(1), 88 | |
| Paradise | 5(1), 88 | |
| Watson, Erica | End Words | 3(2), 7 |
| Staying Home | 6(2), 51 | |
| Way, Lillo | Just at this Moment in Seattle | 7(2), 107 |
| Weable, Kaylie | A Wave so Lazy it Streaks Across the Window as you Halfassedly Force it Out | 8(1), 50 |
| Missing | 4(1), 70 | |
| Weltzien, Alan | Pouring Mother | 8(2), 106 |
| Wesick, Jon | Wreck Beach | 1(1), 61 |
| Wetch, Justin | Growing Up | 8(2), 107 |
| White, Flannery | On the Morning Ferry, Puget Sound | 7(2), 107 |
| Whitsel, Tim | Great Basin | 8(2), 108 |
| Widdicombe, Toby | Heart Failure | 8(1), 51 |
| Sand into Sand | 6(2), 99 | |
| The Lovers. A Villanelle | 7(2), 108 | |
| Widerkehr, Richard | A Dead Soldier Speaks | 6(2), 100 |
| Allegiance | 7(1), 68 | |
| Blue Maraca | 7(2), 108 | |
| Stranger in Your Town | 8(1), 113 | |
| Wilcox, Erin | No Cover in Tucson | 5(1), 25 |
| Williams, Ava | Flying Home on a 737 (Two Haikus) | 5(1), 89 |
| Williams, John Sibley | [i catch my reflection in a] newly discovered specimen | 7(2), 110 |
| I Sit My Grandfather by the Mouth of the Columbia River | 5(2), 96 | |
| Sleepless Harbor | 2(1), 40 | |
| Williams, Liza | The Ahupua’a | 4(2), 34 |
| Williams, Waimea | What You Find and What You Keep | 4(1), 98 |
| Willis, Paul | O Western White | 7(2), 110 |
| Wilson, Joan Nockels | Prologue | 8(1), 104 |
| Witt, Matt | Mileage | 7(2), 111 |
| Witter, Susan Z. | The only time I ever broke anything | 7(1), 37 |
| Winkel, Paul | Brown Mare | 1(1), 63 |
| Caribou Crossing | 4(2), 35 | |
| Mail Plane | 2(2), 46 | |
| Occupied Land | 3(2), 60 | |
| Plenty | 1(2), 64 | |
| Sand Rock Hill | 8(2), 109 | |
| Survey Report | 2(1), 42 | |
| Twice Warmed | 5(2), 97 | |
| Winter, Marcie | Turnagain Arm Storm | 6(1), 51 |
| Woelber, Tonja | Aid and Comfort | 1(1), 64 |
| Alaska Veneries | 8(2), 108 | |
| Autumn Branches with Cicada | 5(2), 98 | |
| Closer to Home | 6(2), 100 | |
| Exit Glacier, July | 4(2), 35 | |
| Keeping You Alive | 2(2), 47 | |
| Light | 7(1), 68 | |
| New Order | 3(1), 77 | |
| No Regrets: 35,000 feet | 2(2), 46 | |
| On The Road From Haines To Tok | 1(2), 64 | |
| Seward Mariner | 8(1), 52 | |
| Spring Rain on the Li River | 5(2), 98 | |
| To J.G. | 7(2), 112 | |
| Windago | 6(1), 52 | |
| Woods, Nancy | After the Reading | 5(1), 89 |
| Let’s Pretend We’re Drowning | 8(1), 52 | |
| Making Something Out of Nothing | 5(2), 60 | |
| Office as Sanctuary | 4(1), 71 | |
| Praying, Alaska Style | 3(1), 77 | |
| Relaxed Radical | 8(2), 110 | |
| Remembering Harding Lake | 1(1), 64 | |
| The Open Road | 6(1), 53 | |
| Works, Judith | Housecleaning | 7(1), 105 |
X
| Xander X. Xavierson | Xylophonic Xenon | X(X), XX |
Y
| Yates, Douglas A. | Mere Tombstones | 6(2), 101 |
| Tracking Wild Calligraphy | 2(2), 88 | |
| Yeasting, Jeanne | Curiosity Killed | 4(1), 71 |
| Yuan, Allen Qing | China-Charm: For George Lai Yuan | 3(2), 60 |
| Yuan, Changming | English Irrationalities | 3(1), 80 |
| etc. | 4(2), 36 | |
| Eternal Expansion | 3(2), 61 | |
| There Is No Life Without ‘If’ In It: Selected Word Idioms | 7(1), 69 | |
| Waiting | 1(2), 65 |
Z
| Zellen, Barry | Dumbfounded | 2(2), 49 |
| Into the Promised Land North of Sixty: A Writers’ Journey | 2(1), 18 | |
| Zeller, Maya | Before My Period Came | 1(2), 65 |
| Snowberries | 1(2), 66 | |
| Zorea, Avraham | You Are No Paul | 7(1), 102 |