Miss Tami, Is Today Tomorrow?
Book

This heartwarming book maps the humor and curiosity of kids as they learn the meaning of words and the logic that underpins their experiences. In these vignettes for grown-ups, Tami Phelps, a Montessori teacher for 20 years, describes encounters with her students as they process the world around them. In their innocence, young children are at once naïve and brilliantly perceptive. They often miss the mark, which is precisely what makes these stories so hilarious. And it’s not often students stay in touch with their kindergarten teachers, but the author’s former student illustrated the book to boot! These stories will make you smile, and remember how the best teachers can make a lasting mark on the rest of your life.

—Monica Devine, author of Water Mask

Our daughter was a Montessori kid through and through. Her journey began with Miss Tami and she loved it. When asked on the last day of her kindergarten year what she wished for, her answer: “another 100 days of school.” Montessori teachers are different and Ms. Tami is one of the best.

—Peter and Cindy Ljubicich, colleague and parents

Dear Miss Tami,
Thank you for teaching me to think and read. I hope you never die.
Love, Alexander (4th grade writing assignment to a former teacher)

 
Circles by Cirque Press
Announcing Circles, a new imprint of Cirque Press designed for illustrated books. Look to these engaging books for image and light, fun and fantasy, mystery and music. Circles focuses on the singing of the spheres, the clock of the seasons, the mirth of the hyena, and the renewal of legend and myth.… Read More

Someday I'll Miss This Place Too
Book

In the tradition of Heather Lende and Seth Kantner, these dispatches from the Kuskokwin are insightful and funny and fully human. Dan Branch has written a heart-breaking book that is also filled with wit and wonder. A true joy to read.

—Brian Castner, author of Stampede

Dan Branch, “ignorant but lucky,” turned what began as a one-year lawyering commitment in Bethel, Alaska into a lifetime of learning, adventure, compassion, and reflection upon what makes a “good” life. His memoir in essays provides a fascinating personal and historical record of western Alaska in the 1970s and ‘80s. While much of what he experienced as lawyer and magistrate is heart-breaking, Branch balances his account with admiration for those he learned from, humility for his own missteps, and a big-hearted sense of humor.

—Nancy Lord, former Alaska writer laureate and author of Fishcamp, Beluga Days, and pH: A Novel

From the frozen sloughs and tundra of the Kuskokwim River country to the deep forests of Ketchikan, Branch takes us on a “stranger in a strange land” journey with the boundless empathy of a perpetual outsider wanting only to understand what it means to be an Alaskan.

—Richard Chiappone, author of The Hunger of Crows, Water of an Undetermined Depth, and Liar’s Code

The first time I met Dan Branch he wowed me with his storytelling over more beers than I could count. I literally couldn’t get enough of his tales of rural Alaska. The last time I saw him, I spent eight hours on an Alaskan ferry begging for more, and Dan delivered every minute of the way. And such is the case with Someday I’ll Miss this Place Too. The depth and breadth of Branch’s experience, along with his masterful storytelling makes for a great ride, whether on a ferry, or on the page.

—Jonathan Evison, author of Small World, This Is Your Life, Harriet Chance!, and All About Lulu

Someday I’ll Miss This Place Too is a stranger-in-a-strange-land memoir, the story of a newly minted California-educated lawyer who finds himself doing legal aid work in the remote Yukon-Kuskokwim Delta. The year commitment stretches to twelve. To say the author comes of age there is both a given and an understatement. His profound respect and compassion for the people he serves, mostly troubled Yup’ik Alaskans, haunts both him and the reader. Branch invokes in me a curious sense of fernweh, a feeling of longing for a place I have never been. This is as Alaskan as any book we have, both culturally significant and deeply moving.

—David Stevenson, author High Places, Sacrifices, Mysteries, and Forty Crows… Read More

Out There in the Out There
Book

Out There in the Out There takes us deep into the wilderness of the “real” American west at the end of the last century, and it’s one helluva rollicking ride! Jerry McDonnell knows this time, this country, these characters. You can smell the wood smoke, the horseshit, and the bears. His yarns and fish stories are infectious, but it’s his navigation of the human heart that will haunt you sweetly down the trail. This is a no-bullshit collection from an old bullshitter of the first order. Take a joy-ride into the out-there—let the tail go with the hide!

—Mark Gibbons, Montana Poet Laureate, 2021-2023, author of In The Weeds, Connemara Moonshine, blue horizon, Forgotten Dreams and other collections

McDonnell’s stories are forceful, tender, violent, funny, and thought-provoking. You wouldn’t want to be “out there” with anyone else for this author is a man who sees, smells, and feels the rhythm of the earth and just plain knows how to live and thrive in the wildest of places.

—Monica Devine, author of Water Mask and five children’s books including Iditarod: The Greatest Win Ever and Kayak Girl… Read More

Fish the Dead Water Hard
Book

Eric Heyne’s moving debut collection, Fish the Dead Water Hard, beautifully engages the cycle of the seasons in Alaska while exploring the course of lives—aging and mortality. This book takes us from Alaska to Greece and Spain and points in between. Whether observing nature, society, or the domestic sphere, Heyne is always clear-eyed. By turns poignant and tender and sexy and humorous, this book charms with its perspective on mothers, fatherhood, daughters, life, and death…Do yourself a favor, get swept up in the shifting currents of Fish the Dead Water Hard and be moved.

—Sean Hill, author of Dangerous Goods and Blood Ties & Brown Liquor

Though centered in Alaska, Eric Heyne’s poems travel the world. Brilliantly observed and buttressed by a strong poetic craft, they take us to the spot and open our eyes. Whether set in the Brooks Range or at the Acropolis, a steady thoughtful voice holds the book together, while intimate poems of family life embody Heyne’s core emotions. This collection resonates with life.

—John Morgan, author of The Moving Out: Collected Early Poems, Archives of the Air, and River of Light: A Conversation with Kabir

In Fish the Dead Water Hard, Eric Heyne shares Alaska in summer, when hieroglyphic lichens “spell out their slow story in a dead language.” During brutal, long winters, ice fog fossilizes all trace of life. He mourns a young one gone too soon who leaves us “to mourn the impossible lives of the living.” He honors a beloved stepmother who “talked to us like we were worth listening to.” These poems are dispatches from above ground, where the poet asks “What else can’t I be?” He advises those of us not quite ready to go yet to “just assume you’re still in love.” Eric Heyne shows us, with delicacy and grace, the quality of light in a forest half eaten by leaf miners, then wonders about what forest his daughter will see. That succession-in-progress, like a five-armed sea star, is “balanced and incomplete, like poetry, like life.”

—Peggy Shumaker, author of Gnawed Bones, Just Breathe Normally, and Cairn

These poems appear for us like cairns in a dark wood and we read them with delight and curiosity. Each word of Eric Heyne’s poems is stacked with intention and meant to show us something about the complex and layered woods we are walking through. Heyne doesn’t shy from the darker moments—the fear of a biopsy, the loss of sexual desire, the warming of our world. But these poems are also markers, built to help us find our way. “And someone, awaiting migration, finds/this stack of stones on the horizon and is no longer alone.”

—Emily Wall, Professor of English at the University of Alaska, and author of Flame and Breaking Into Air… Read More

November Reconsidered
Book

November Reconsidered

“There are adjustments now
To the November rain
To the November expectation
To the November settlement
Schedules and scoldings
Homework and housework
They adjust to me and I adjust to them.”

Part rant, part meditation, part acerbic commentary, November Reconsidered is a gritty and darkly funny collection of November poems that transports us from site to site, back and forth through time. Marc Janssen’s satire takes a lyric yet steely look at a market’s cereal aisle, an eighth grade English class, a Toyota dealership, a California mall on Black Friday, a Happy Hour at Charlie Browns. Although he never flinches from the dark realities of life, Janssen also gives us moments of assuaging respite. On a solitary walk taken to escape the family hubbub of Thanksgiving Day, he notes this: The cold damp air made exhalation look full and white and alive, / White breath in a reverent day.

—Paulann Petersen, Oregon Poet Laureate Emerita, author of One Small Sun and Understory… Read More

Callie Comes of Age
Book

Callie’s indomitable spirit corrals everything she does. Self-reliant, quirky, intelligent, sensual and untamed, she throws herself wholeheartedly into every new experience. For full effect, read Callie Comes of Age as you would a novel. The overall trajectory is best considered as a single narrative. In Callie’s search, each poem leads to the next discovery, her voice and personality irresistible as we follow her from childhood loss to adult resolution. Callie doesn’t question the grit required to get through her daily chores on the cattle ranch. An arid landscape dictates her hardscrabble existence. Ultimately, there’s a mystery for Callie to unravel.

—George Champlin

Callie Comes of Age is pretty darn masterful. The magic of Dale Champlin’s exuberant narrative, like Callie herself, is impossible to tie down. Beyond a braided story that will buckle you, the cascade of poems reveals a sensuous and hard, lonely and austere landscape. The sharp characters and sure-handed narrative pull us, while in a rhythm that alternates between shuffle, gallop, and gusty breeze, the poems with their details of snake belly, scar, and bone won’t let us go.

—John Morrison, author of Monkey Island

Ringing with an exquisite lyricism, Dale Champlin’s amazing Callie Comes of Age—a novel in the form of poetry—holds me in thrall. Set in the harsh ranch country of the American West, which shapes her life, Callie’s story evolves from an early childhood filled with tenderness and a strong sense of belonging into a grim tale of a sexually precocious and fiercely independent adolescence, in which glimmers of a dark secret begin to emerge. The deftly nuanced narrative kept me on the edge of my seat all the way to the end, throbbed by wonder.

—Ingrid Wendt, Oregon Book Award winner in poetry, author of Evensong… Read More

Baby Abe
Book

Baby Abe: A Lullaby for Lincoln
This lullaby imagines scenes from Abraham Lincoln’s life, from his 1809 winter arrival in the world to his third birthday (1812). Period objects, foods, verbal expressions and manners are twined into the text. Scenes described are typical of life on the Kaintuck (Kentucky) and Indiana frontiers. Research began with Carl Sandburg’s two-volume biography; and, some years later, embraced the details of Sidney Blumenthal’s A Self-Made Man: The Political Life of Abraham Lincoln, 1809-1849 (2016).

Characters are generally true to history with the exception of the preacher, the tinsmith, the shoemaker, the Yarb Woman and the Widder. Although fictional, these characters are typical of individuals who would regularly visit remote homesteads.

66 Pages

ISBN: 979-8721903939

 
Circles by Cirque Press
Announcing Circles, a new imprint of Cirque Press designed for illustrated books. Look to these engaging books for image and light, fun and fantasy, mystery and music. Circles focuses on the singing of the spheres, the clock of the seasons, the mirth of the hyena, and the renewal of legend and myth.… Read More

One Headlight by Matt Caprioli
Book

One Headlight: An Alaskan Memoir

“Quirky humor, bright language, and sharp emotional insight.” — Joe Okonkwo, author of Edmund White Award for Debut Fiction winner Jazz Moon

“Like no other book I have read. It will entertain you as it crushes you.” — Martha Amore, Editor of Lambda Literary Nominated Building Fires in the Snow

Matt Caprioli never belonged in Alaska: too gay, too bookish, a faltering vegetarian. As a spiritual and sensitive young boy, he’s raised by the exuberant and radiant but deeply impractical Abby Henry, who doesn’t view his baptism in a horse trough or machete marks on their new apartment door as peculiar. Abby works as a baker in Anchorage, so the two leave Lazy Mountain each morning at 3:30am to drive through single-digit weather in a rickety, church-donated Mustang with no passenger window, no snow tires, and one headlight. Lacking money and direction, Caprioli nonetheless adores his mother and the world they share.

As a young man, Caprioli leaves Alaska to chase his dream of writing in Manhattan, along the way working as a journalist and sex worker. His bond with his mother is tested as Caprioli tries to forget where he comes from. But when Abby falls ill at 53, Caprioli returns to Anchorage to care for her, and is forced to reckon with the true meaning of home.

In telling his story, Caprioli captures the love and joy of our deepest bonds, of the myths and hopes surrounding America’s largest state, and the momentous power of a quiet drive with those we love.

Kirkus Review of One Headlight… Read More

Author Index
Page

Author Index Author Title of Work Vol.(No.) Page # A Akers, Deborah feast  11(1) 82 Allen, Luther deer hunter 9(2) 19 Amlie, Kari Nielsen Christmas in Patagonia 10(1) 57 Amlie, Kari Nielsen 10-Minute Lunch Break Poem 10(1) 57 Amore, Martha … Read More

Lily is Leaving
Book

In Lily is Leaving: Poems by Leslie A. Fried, the reader travels by train across Texas flatlands with the poet as she grieves for her lost lover, inhales the “spicy scent of leaves smoldering” as she recalls her beloved mother, walks in late summer along Oregon cow paths to search for the “dangerous opulence” of blackberries, considers the intelligence of crows, makes a feeble attempt to explain the fragility of life to her granddaughter, and mourns the loss of those innocents beaten down by history. All of this she does in seven chapters with titles such as Laws of Attraction; How and Why; and Shipwreck and Resurrection — using language that curls the ear, wracks the heart and satisfies the mind.

Leslie Fried is an archeologist of the soul, digging through the fractured histories of ancestors, and her own past with parents, lovers and sons, to describe the forces that mold our characters and haunt our dreams. She uses her acute powers of observation, and vivid images and metaphors, to relate both the depths of trauma and the heights of delight. She is particularly adept at revealing the deceitfulness we all use to bind others to ourselves and to make sense of our histories. In Leslie’s poetic world, time is not linear, love covers a multitude of pains and disappointments, and grace is still possible.

—Tonja Woelber, author of the poetry collections Glacier Blue (2016) and Tundra Songs (2017).

In her debut collection, Lily is Leaving, Leslie Fried writes “on the train my shadow is my letter of introduction.” These poems are marked by their sensitivity to lives in transit, lives that need to journey in order to prosper, and, at times, to simply survive. When the speaker finds shelter, it’s often outwardly flimsy — “our house is tiny / a chicken coop once /a crazy quilt now /of wood and windows /under the great fir” — but Fried vividly shows us how familial bonds deepen and intimacy flourishes in such idiosyncratic spaces. Indeed, the author delights in all invitations, large or small, that the world extends. And her poems make us at home in that world, as if we, too, are invited to live fully. For instance, she accepts an “Invitation to an Intimate Dinner Room 43, Airport Way South,” and dines at “a small square table / covered in butcher paper /folded and taped” an experience that could have passed her by, had she let it. This is a narrator who takes her knocks at times because, fundamentally, she’s in cahoots with abundance. When Fried tells us “I am planted and sprouting /in luminous air,” we believe her.

—Deborah Woodard, author of Borrowed Tales

Leslie Fried’s debut collection offers an elegance in language illuminating carefully crafted poems that invite me to read and re-read lines, verses, and whole poems as I discover fresh angles, peepholes and circumstances to experience: ardor, family, history, loss, intimacy, death; to. . .know hard love as a trick of the trail. . .Here is a lively edginess of surprises along with Fried’s 100 descriptions of place, each so vivid you might remember them later as if you had physically been there. It is a gift. Her gift is extended by her own illustrations. Delicate and impish special treats. For my own pleasure, I read the poems aloud to myself, and discover more heart, more about being alive as. . .the earth is breathing stories. . .

—Carol Levin, author of Stunned by Velocity (2012), Confident Music Would Fly Us to Paradise (2014), and An Undercurrent of Jitters (2018).

 

Review of Lilly is Leaving by Frances McCue

 … Read More

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